Interview
Interview
Idea Generator
Liz Magor discusses how she approaches her sculptural practice, how we value objects, and her desire for a quiet studio.
Interview 178
Imagining Alternatives
Pedro Reyes
Studio as Laboratory
Sarah Sze
Childhood
Nick Cave
Defining an Artist
Tania Bruguera
On Photography
Carrie Mae Weems
Contending with the History of Painting
Katharina Grosse
Resisting Dichotomies & Compressing Complexity
Jack Whitten
Teaching History by Sculpting Experience
Doreen Garner
Resisting Reductivism & Breaking the Bubble
Barbara Kruger
Chicago & City Planning
Theaster Gates
“Blueprint for a Landscape”
Sarah Sze
Expanding the Role of the Artist
Theaster Gates
“Desert Rooftops”
David Brooks
“Mine Site”
Josephine Halvorson
“PROTECT PROTECT”
Elizabeth Smith
Engineering “The Morning Line”
Benjamin Aranda
“Parks Canada”
Erin Shirreff
Underwater & Upside Down
Alejandro Almanza Pereda
Architecture and Modernism
Josiah McElheny
Modeling the History of the Universe
Josiah McElheny
Helen of Troy
Eleanor Antin
“Black Romantic” & The Mythology of the Artist
Kerry James Marshall
Portraiture & Representation
Kerry James Marshall
Truth and Allegory in Photography
Eleanor Antin
John Milton’s “Paradise Lost”
Matthew Ritchie
Drawing, Architecture, and the “Spectrum of Experience”
Matthew Ritchie
Skeletal Sculpture
Gabriel Orozco
Education & Influences
Gabriel Orozco
“Vignettes”
Kerry James Marshall
Art Beyond Appearance
David Brooks
Welcome Guests
Yinka Shonibare CBE (RA)
It Began with Madame de Pompadour
Cindy Sherman
Shifting Observations
Catherine Opie
In Charge of His Own Destiny
Allan McCollum
Laughing His Way Into Character
Paul McCarthy
Correcting the Canon
Kerry James Marshall
Built-In Mistakes
Florian Maier-Aichen
Art Changes Every Day
Jeff Koons
It Was Just a Dream
Kimsooja
“Lick and Lather”
Janine Antoni
Filmmaking and “Todo lo demás”
Natalia Almada
Portraiture, Performance, and Violence
Laylah Ali
Meaning and Influences
Laylah Ali
Photography, Life, and Beauty
Robert Adams
“Turning Back”
Robert Adams