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In the Studio: Caroline Garcia

In the Studio

Caroline Garcia

Caroline Garcia embraces a nonlinear continuum

News All News
Director’s Notes with Jurrell Lewis April 30, 2025
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Director’s Notes with Andrea Yu-Chieh Chung April 9, 2025
Experimenting with Socially Engaged Art

Teaching with Contemporary Art

Experimenting with Socially Engaged Art

by Sonia D’Agnese

More Teaching with Contemporary Art
Close-up of detailed black and white striped patterns in a paper marbling tray. Craft and Contemporary Art
by Makda Amdetsyon
April 25, 2025
Two paintings: left shows a blue bird on a dark background, right shows a red bird with a cage on a yellow-orange background. Both are suspended with strings. Deepening Connections with Cross-Curricular Collaboration
by Nikki Sandschaper
March 7, 2025
A collection of black and white abstract portraits displayed on a table. Crafting Conversation
by Birra-li Ward
January 17, 2025
Big Question: Enzo Camacho and Ami Lien

Big Question

How can art further political resistance?

Enzo Camacho and Ami Lien use the artistic process to build shared understanding.

Interview by Max Levin

More Big Questions
How do we complicate the relationship between power and violence? Gray Wielebinski lets things be strange.
How many words are there for ice? David Brooks experiences deep time in Antarctica.
How can art be a collective process? Shanzhai Lyric stewards an incomplete poem.

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More to Read

Teaching with Contemporary Art

Experimenting with Socially Engaged Art
Sonia D’Agnese
Close-up of detailed black and white striped patterns in a paper marbling tray.

Teaching with Contemporary Art

Craft and Contemporary Art
Makda Amdetsyon
Caroline Garcia in a white sleeveless top and plaid skirt sits on a chair surrounded by various potted plants in a sunlit room.

In the Studio

Caroline Garcia
Interview by Kathy Cho
Joshua Serafin with long hair and face paint stands on a dimly lit stage, wearing a black shirt and pants, with one hand touching their ear and the other behind their back.

In the Studio

Joshua Serafin
Interview by Sam Cottington
Two paintings: left shows a blue bird on a dark background, right shows a red bird with a cage on a yellow-orange background. Both are suspended with strings.

Teaching with Contemporary Art

Deepening Connections with Cross-Curricular Collaboration
Nikki Sandschaper
Pio Abad in a multicolored cardigan sits in front of black and white pattern on the wall, looking at the camera.

In the Studio

Pio Abad
Interview by H. Daly Arnett
Two people work at a wooden table filled with various types of leaves.

Big Question

How can art further political resistance?

Enzo Camacho and Ami Lien use the artistic process to build shared understanding.

Interview by Max Levin

A collection of black and white abstract portraits displayed on a table.

Teaching with Contemporary Art

Crafting Conversation
Birra-li Ward
People sit along a seawall on a sandy beach, leaning over and engaging in an activity. Backpacks are placed nearby, and the sea is visible to the right.

Teaching with Contemporary Art

Materials + Environmentalism
Birra-Li Ward
Bárbara Sánchez-Kane with short dark hair and glasses, wearing a black coat and a white, high-collared inner garment, looks into the camera against a blurred dark and white background.

In the Studio

En el estudio: Bárbara Sánchez-Kane
Entrevista por Samantha Ozer