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Leonardo Drew in "Investigation"
Leonardo Drew, whose art career began as a child in inner city Bridgeport, Connecticut, transforms new materials—through processes of decay, oxidization, and exposure to weather—in his sculptures.
Never content with work that comes easily, Drew reaches daily beyond his comfort zone, charting a course of experimentation with his materials and processes and letting the work find its own way.More information
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Although often mistaken for accumulations of found objects, Leonardo Drew’s sculptures are instead made of “brand new stuff”—materials such as wood, rusted iron, cotton, paper, mud—that he intentionally subjects to processes of weathering, burning, oxidization, and decay. Whether jutting from a wall or traversing rooms as freestanding installations, his pieces challenge the architecture of the space in which they’re shown. Never content with work that comes easily, Drew constantly reaches beyond “what’s comfortable” and charts a course of daily investigation, never knowing what the work will be about but letting it find its way, and asking, “What if….”
“My people’s history is not about just black people. It’s like about all of us.”