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Graciela Iturbide in "Investigation"

October 24, 2014

For Graciela Iturbide, the camera is a pretext for understanding the world. Her principal concern has been the photographic investigation of Mexico—her own cultural environment—through black-and-white images of landscapes and their inhabitants, abstract compositions, and self-portraits.

Whether photographing indigenous communities in her native country, cholos in Los Angeles, Frida Kahlo’s house, or the landscape of the American South, her interest, she says, lies in what her heart feels and what her eyes see.

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Graciela Iturbide’s interest lies in what her eyes see and what her heart feels—what moves her and touches her. Although she has produced studies of landscapes and culture in India, Italy, and the Unites States, her principal concern has been the exploration and investigation of Mexico—her own cultural environment—through black-and-white photographs of landscapes and their inhabitants, abstract compositions, and self-portraits. Her images of Mexico’s indigenous people—the Zapotec, Mixtec, and Seri—are poignant studies of lives within the bounds of traditional ways of life, now confronted by the contemporary world.

“I take photographs very fast. I follow my intuition and what surprises me.”

Graciela Iturbide

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