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LaToya Ruby Frazier Makes Moving Pictures
What makes a documentary radical? In this film, artist LaToya Ruby Frazier reveals the personal story behind a series of videos and photographs of her family in Braddock, Pennsylvania, a selection of which were exhibited in VideoStudio: Changing Same (2011) at the Studio Museum in Harlem. Employing and upending documentary traditions as a means to disrupt media stereotypes, Frazier collaborates with her mother and grandmother as fellow artists, giving them agency in depictions of themselves, their family, and the broader community.
Interrogating how the toxic geography of Braddock has shaped multiple generations of her family’s bodies and psychology, Frazier’s images of her hometown mirror complex social problems that beset America today such as class inequity, access to health care, and environmental racism. “The mind is the battleground for photography,” says Frazier, who creates images that “tell my story because it hasn’t been told.”More information and credits
Featuring excerpts from the artist’s videos Grandma Ruby (2009), A Mother to Hold (2006), Momme Portrait Series (Heads) (2008), Momme Portrait Series (Wrestle) (2009), Detox (Braddock U.P.M.C.) (2011), and Self-Portrait (United States Steel) (2010), as well as photographs from the series Notion of Family (2002-ongoing).
Art21 New York Close Up Created & Produced by: Wesley Miller & Nick Ravich. Editor: Brad Kimbrough. Cinematography: Don Edler. Additional Camera: LaToya Ruby Frazier. Sound: Nicholas Lindner & Wesley Miller. Associate Producer: Ian Forster. Production Assistant: Paulina V. Ahlstrom, Don Edler, Amanda Long & Maren Miller. Design: Crux Studio & Open. Artwork: LaToya Ruby Frazier. Thanks: Frazier Family, Thomas Lax & Studio Museum in Harlem. An Art21 Workshop Production. © Art21, Inc. 2012. All rights reserved.
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LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania, formerly worked in New York, and currently lives and works in Chicago. An artist and activist, Frazier uses photography, video, and performance to document personal and social histories of midwestern America. Having grown up in the shadow of the steel industry, Frazier has chronicled the health and environmental crisis facing her family and her hometown since she was a teenager. Realizing at a young age that media depictions of people like herself did not accurately represent her life, she employs a radical black-and-white documentary approach that captures the complexity, injustice, and simultaneous hope within America.
“It became very important for me to start to photograph myself in order to get these depictions from the outside world out of my own mind and to be able to realize that I’m more than that.”
LaToya Ruby Frazier