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"Day Is Done"Mike Kelley

April 30, 2010

Mike Kelley reveals how photographs from yearbooks and newspapers in Detroit served as the inspiration behind the performative project Day Is Done, shown installed at Gagosian Gallery.

More information and credits

Credits

Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Nancy Schreiber & Joel Shapiro. Sound: Tom Bergin & Stacy Hruby. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: Gagosian Gallery, New York.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

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Mike Kelley

Mike Kelley’s work ranges from highly symbolic and ritualistic performance pieces to arrangements of stuffed-animal sculptures, to wall-size drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations. His work questions the legitimacy of “normative” values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelley’s aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious, “by all means necessary” attitude of punk music.

Artist Mike Kelley discusses his project Day is Done, a performance/video which consists of 365 tapes, one for every day of the year.

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