Continue playing

(Time remaining: )

Play from beginning

Play from beginning

Continue playing "{{ controller.videos[controller.getVideo(controller.currentVideo)].segmentParentTitle}}"

{{controller.videos[controller.getVideo(controller.currentVideo)].title}} has ended.

{{ currentTime | date:'mm:ss':'+0000' }} / {{ totalTime | date:'mm:ss':'+0000' }} {{cue.title}}
Add to WatchlistRemove from Watchlist
Add to watchlist
Remove from watchlist

Video unavailable

"Radical Software" 1970-74Beryl Korot

April 23, 2010

Beryl Korot describes the impetus behind the innovative 1970s publication Radical Software, elucidating the history of video in art and the impact of mass media on society. Emerging from an independent video community that included media visionaries such as Marshall McLuhan and groups such as Televisionaries, Videofreex, People’s Video Theater, and Global Village, the first issue of Radical Software debuted in Spring of 1970 as a publication by the Raindance Corporation.

Beryl Korot and Phyllis Segura (Gershuny) acted as Editors, while Michael Shamburg served as Publisher with Ira Schneider as co-Originator. Early contributors included Nam June Paik, Buckminster Fuller, Ant Farm, Frank Gillette, and Paul Ryan, among others. After eleven issues, Radical Software ceased publication in the Spring of 1974 and is now an invaluable time capsule of an era.

More information and credits

Credits

Producer: Wesley Miller & Nick Ravich. Interview: Wesley Miller. Camera & Sound: Nick Ravich. Editor: Joaquin Perez. Archival Material Courtesy: Beryl Korot & the Daniel Langlois Foundation of Montreal. Special Thanks: Davidson Gigliotti & Ira Schneider.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

Translate this video

Through the Art21 Translation Project, multilingual audiences from around the globe can contribute translations, making Art21 films more accessible worldwide.

Licensing

Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.

Beryl Korot

Beryl Korot was born in 1945 in New York City. An early video-art pioneer, Korot explores how information has been encoded and transmitted through systems of lines and grids: the lines of a tapestry that are built by a loom, the lines of words that comprise a written text, and the scanned lines of information that create an image on a video screen. She applies these linear structures to her multichannel video installations, detailed schematic drawings, paintings, and weavings to create works that visualize the intersections of memory and history, language and thought, and technology and labor.


3:46
Add to watchlist
4:19
Add to watchlist

Beryl Korot

3:03
Add to watchlist

Beryl Korot

“We had a video theater where people would come on a Friday night, with information they had videotaped at the Woodstock festival or in some community, or whatever, and come and play it for other people. And people would come and sit around these TV sets that were spread out around a loft and look at this new way of getting information. It was amazing.”

Beryl Korot


Super Heroines

12:29
Add to watchlist
12:32
Add to watchlist
12:29
Add to watchlist