Jenny Holzer discusses the concepts behind some of her most well-known projects, including For 7 World Trade (2006), for which she projected text onto a glass wall of the lobby. Much of Holzer’s work focuses on devastation and cruelty, and uses the words of others.

“I stopped writing my own text in 2001,” she explains. “I found that I couldn’t say enough adequately and so it was with great pleasure that I went to the text of others.” Viewers observe Holzer creating new work as she prepares an exhibition of paintings and prints of declassified, redacted government documents, some of which are letter-size, while others are blown-up to an overwhelming scale “…in hopes that people will recoil,” she says.