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Iñigo Manglano-Ovalle in "Ecology"
Born in Madrid to a Spanish father and a Colombian mother whose work lives were primarily in Chicago, Iñigo Manglano-Ovalle’s interest in architecture, politics, and science underscores much of his work.
The documentary follows Manglano-Ovalle to an exhibition of his work in New York; his Random Sky (2006) façade in Chicago, for which computers process weather data at the installation site to generate a visual representation of climate conditions; and La Tormenta/The Storm (2007), a large-scale sculpture of two thunderstorm clouds, installed at the Citizenship and Immigration Services building in Chicago, which serves as a metaphor for the U.S. immigration process.
Credits
Created by: Susan Sollins & Susan Dowling. Executive Producer & Curator: Susan Sollins. Series Producer: Eve-Laure Moros Ortega. Associate Producer: Migs Wright. Associate Curator: Wesley Miller. Production Manager: Alice Bertoni & Nick Ravich. Production Coordinator: Amanda Donnan & Meredith Klein. Consulting Director: Catherine Tatge. Editor: Steven Wechsler. Director of Photography: Bob Elfstrom, Mark Falstad, Mead Hunt, & Joel Shapiro. Additional Photography: Christine Burrill, Alice Bertoni, & John Gordon Hill. Sound: Tom Bergin, Ray Day, Doug Dunderdale, Heidi Hesse, Mark Mandler, Gabriel Monts, Roger Phenix, Yuri Raicin, & Charles Tomaras. Audio Technician: Drew Weir. Assistant Camera: Craig Feldman & Brian Hwang. Jib Arm Operator: Scott Hoffman. Production Assistant: Carlos Moncada & David Nugent. Additional Animation: Shawn Dunbar.
Creative Consultant: Ed Sherin. Art Direction & Design: Open, New York. On-Line Editor: Don Wyllie. Composer: Peter Foley. Voice-Over Artist: Jace Alexander. Sound Editing: Margaret Crimmins & Greg Smith. Sound Mix: Cory Melious & Tony Volante. Animation Stand: Frank Ferrigno. Assistant Editor: Ahmed Amer, Jennifer Chiurco, & George Panos.
Director of Education & Public Programs: Tana Hargest. Education Consultant: Jessica Hamlin. Manager of Public Programs & Outreach: Kelly Shindler. Web Producer: Ana Otero. Senior Development Officer: Beth Allen. Development Associate: Sara Simonson. Development Coordinator: Erin Cesta & Katherine Payne.
Artworks Courtesy of: Robert Adams; Mark Dion; Iñigo Manglano-Ovalle; Ursula von Rydingsvard; Fraenkel Gallery, San Francisco; Galerie Lelong, New York; Matthew Marks Gallery, New York; Max Protetch, New York; Seattle Art Museum; & Tanya Bonakdar Gallery, New York. Archival Footage Courtesy of: Ursula Anne von Rydingsvard.
Special Thanks: Mark Hereld; Rick Gribenas; Kerstin Adams; ADM Works, Los Angeles; Angela Andres; The Art21 Board of Trustees; James Barber; Vanessa Bergonzoli; Callen Blair; Bloomberg; Josie Browne; Daniel Cheek; Tyler Cufley; Stuart Desmond; Renee Devine; Dog Bark Sound; Kris Douglas; Michael Finn; Frame:Runner NYC; Jules Gaffney; Gina Glascock-Broze; Green River Watershed, King County, WA; Rick Gribenas; Tamara Gubernat; Anthony Guzzone; Anneka Herre; Mark Herald; Todd Holmes; Hyde Park Art Center, Chicago; Stephanie Joson; Bryan King; Meredith Klein; Cristobal Lehyt; Sheila Lynch; Mad. Sq. Art; Anna Miller; J. Morgan Pruett; Julia Murray; Brandon Noble; Jeffrey Peabody; Allison Peters; Eli Ping; J. Morgan Pruett; Andre Ribuoli; Rochester Art Center, Rochester, MN; Seattle Art Museum and Olympic Sculpture Park; Sound Lounge; Dawn Troy; Christina Turley; U.S. General Service Administration; Vagabond Audio; & Javier Valdivieso.
Interns: Stephanie Abraitis, Alex Agnant, Gabriella della Croce, Nora Herting, Milena Hoegsberg, Rives Kitchell, Katie McCurry, Simone Otenaike, Karoline Pfeiffer, Nick Pozek, Carolina Puente, Muña Qamar, Bettina Riccio Henry, Meg Scally, Karen Seapker, Peter Sebeckis, Lucy Strong, & Kelly Williamson.
Public Relations: Goodman Media International. Station Relations: De Shields Associates, Inc. Legal Counsel: Albert Gottesman. Bookkeeper: Marea Alverio-Chaveco & Valerie Riley. Travel Agent: Lita Gottesman.
Major underwriting for Season 4 of Art in the Twenty-First Century is provided by National Endowment for the Arts, PBS, Agnes Gund and Daniel Shapiro, Nathan Cummings Foundation, Bloomberg, The Andy Warhol Foundation for the Visual Arts, The Horace W. Goldsmith Foundation, Bagley Wright Fund, and W.L.S. Spencer Foundation.
Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian
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Iñigo Manglano-Ovalle’s technologically sophisticated sculptures and video installations use natural forms such as clouds, icebergs, and DNA as metaphors for understanding social issues such as immigration, gun violence, and human cloning. In collaboration with astrophysicists, meteorologists, and medical ethicists, Manglano-Ovalle harnesses extraterrestrial radio signals, weather patterns, and biological code, transforming pure data into digital video projections and sculptures realized through computer rendering. His work is attentive to points of intersection between local and global communities, emphasizing the intricate nature of ecosystems.
“If art for me is a platform from which to speak, but not tell you something, that’s good.”
Iñigo Manglano-Ovalle
Artist at Work
Iñigo Manglano-Ovalle
Iñigo Manglano-Ovalle
Iñigo Manglano-Ovalle