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How can we be certain that the binary can satisfy us? A trained glass artist, sculptor Jes Fan creates elegant installation works that quietly question our most fundamental assumptions about gender, race, and identity. At UrbanGlass in downtown Brooklyn, the artist heats, rolls, and sculpts molten glass. He explains, “Learning how this matter transformed itself from one state into another really entranced me into thinking, ‘How I can I apply it to other mediums?'”

At the Recess artist residency in Brooklyn, Fan constructs a new work, filling hollow glass globules with silicone and injecting them with politically charged biological materials like testosterone, estrogen, melanin, and fat. These organ-like forms are then hung on a lattice structure. Detaching biological substances from the context of the body, Fan is able to examine their meanings and allow the viewer to see them in a completely new light.

Fan’s personal experiences—moving from his native Hong Kong to the United States, growing up queer, and transitioning—have profoundly shaped his artistic practice. “Maybe it is triggering the similar experiences of being racialized or being gendered,” says Fan of handling the materials injected into his work. “It’s just a disposition that you’re constantly placed in—a constant act of othering.”

Featured works include Mother is a Women (2018) and Systems II (2018).