(Time remaining: )
Play from beginning
While painting in her Williamstown, Massachusetts studio, artist Laylah Ali discusses the imperative she feels to make things, and the nuanced relationship of political and personal events to the work.More information and credits
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Tom Bergin. Editor: Mary Ann Toman. Artwork Courtesy: Laylah Ali.
Through the Art21 Translation Project, multilingual audiences from around the globe can contribute translations, making Art21 films more accessible worldwide.
Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.
Stay inspired this summer with Summer of Shorts, featuring ten new films premiering across ten consecutive Fridays throughout the summer.
Laylah Ali creates her small, figurative, gouache paintings on paper with such precision that it takes her many months to complete a single work. She meticulously plots out every aspect of her work in advance, from subject matter to choice of color and the brushes that she will use. Her paintings resemble comic-book serials, but they also contain stylistic references to hieroglyphics and American folk-art traditions. Ali often achieves a high level of emotional tension in her work as a result of juxtaposing brightly colored scenes with dark, often violent subject matter that speaks of political resistance, social relationships, and betrayal. Although Ali’s interest in representations of socio-political issues and current events drives her work, her finished paintings rarely reveal specific references.
“You make things, on some level, because you have to make things. There’s a kind of electrical energy in you that means that you have to do this thing. And I think that a lot of my creative output has to do with that.”