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AudienceLari Pittman

February 17, 2012

Filmed in 2010 at Lari Pittman’s dual exhibitions Orangerie and New Paintings at Regen Projects, Los Angeles, the artist discusses the common misconception that his work is preplanned. Though he understands how audiences reach this conclusion, Pittman explains that his paintings result from a series of spontaneous decisions.

More information and credits

Credits

Producer: Ian Forster, Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Morgan Riles. Artwork Courtesy: Lari Pittman & Regen Projects. Special Thanks: Stacey Bengtson.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

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Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.

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Lari Pittman

Inspired by commercial advertising, folk art, and decorative traditions, Lari Pittman’s meticulously layered paintings transform pattern and signage into luxurious scenes fraught with complexity, difference, and desire. Pittman uses anthropomorphic depictions of furniture, weapons, and animals—loaded with symbolism—to convey themes of romantic love, violence, and mortality. Despite subject matter that changes from series to series, Pittman’s deployment of simultaneously occurring narratives and opulent imagery reflects the rich heterogeneity of American society, the artist’s Colombian heritage, and the distorting effects of hyper-capitalism on everyday life.

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Lari Pittman

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Lari Pittman

Artist Lari Pittman talks about his relationship to his hometown, Los Angeles, as well as the ways in which time and balance are investigated through his paintings.