From her Manhattan studio, artist Joan Jonas discusses her decision to begin staging performances in the late 1960s. As a child growing up in New York, Jonas’s mother brought her to see performances such as Richard Wagner operas at The Metropolitan Opera and a George Balanchine production of Afternoon of a Faun starring Tanaquil Le Clercq.

Describing her experiences of seeing operas and ballets in her youth, Jonas recalls, “Things like that make a big impression on you when you’re young.” For her own performances, Jonas invited artist friends such as Gordon Matta-Clark, Tina Girouard, and Pat Steir to abandoned lots and empty streets in Lower Manhattan where, while being filmed by artist Peter Campus, she would give them props and simple choreography to perform. “In a way we all helped each other and worked together and people really enjoyed being in other people’s works,” says Jonas of her artist friends. “Everybody knew that that moment was special in the 60s and 70s.”

Four of Joan Jonas’s earliest works are featured in this episode, including Wind (1968), Songdelay (1973), Organic Honey’s Vertical Roll (1973), and Street Scene (1976).