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Commissioned by French Vogue to create a fashion editorial featuring clothes from the Spanish design house Balenciaga, artist Cindy Sherman discusses the first time she used a digital camera to make pictures, ultimately creating different versions of images for the magazine and for herself.More information and credits
Producer: Ian Forster, Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Joaquin Perez. Artwork Courtesy: Cindy Sherman. Video: © 2011, Art21, Inc. All rights reserved.
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In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives that exist outside of the frame. Leaving her works untitled, Sherman refuses to impose descriptive language on her images—relying instead on the viewer’s ability to develop narratives. While rarely revealing her private intentions, Sherman’s investigations have a compelling relationship to public images, from kitsch to art history to green-screen technology.