Lonnie Holley was born in 1950 in Birmingham, Alabama. One of the South’s preeminent self-taught artists, Holley lives and works in Atlanta, Georgia. His practice extends from assemblage and sculpture to music. He made his debut as a recording artist in 2012, at sixty-two years old; he has since worked with such figures as Bon Iver, the Dirty Projectors, and Animal Collective.

The subject matter of Kerry James Marshall’s paintings, installations, and public projects is often drawn from African American popular culture, and is rooted in the geography of his upbringing. Marshall’s work is based on a broad range of art-historical references, from Renaissance painting to black folk art, from El Greco to Charles White. A striking aspect of Marshall’s paintings is the emphatically black skin tone of his figures—a development the artist says emerged from an investigation into the invisibility of Black people in America and the unnecessarily negative connotations associated with darkness. The sheer beauty of his work speaks to an art that is simultaneously formally rigorous and socially engaged.