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Katharina Grosse in "Fiction"

November 14, 2014

Katharina Grosse creates wildly colorful sculptural environments and paintings that unite the fluid perception of landscape with the ordered hierarchy of painting. Her work is a material record—a story—and, perhaps, an inscription of her thoughts, or an illusion.

Grosse uses boat building techniques to create monumental abstract sculptures for display at Brooklyn’s Metrotech Plaza, while at the Nasher Sculpture Center in Dallas, she adds layers of paint to a room filled with soil as a painted sculpture pierces through the building’s architecture. Shown at work in her Berlin studio, Grosse leads viewers through the recent project I Think This Is a Pine Tree at the Hamburger Bahnhof.

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Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

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Katharina Grosse is a painter who often employs electrifying sprayed acrylic colors to create large-scale sculptural environments and smaller wall works. Interested in the shifts of scale between ‘imagining big’ while being small in relationship to one’s surroundings, she explores the dynamic interplay between observing the world and simply being in it. By uniting a fluid perception of landscape with the ordered hierarchy of painting, Grosse treats both architecture and the natural world as an armature for expressive compositions of dreamy abandon, humorous juxtaposition, and futuristic flair.

“It is also very fascinating for me to kind of reset the idea what a painting can be. It’s not like a formal issue only about volume and color.”

Katharina Grosse

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