Employing folly, leisure, adventure, and celebration in creating art, Pierre Huyghe’s films, installations, and public events range from a small-town parade to a puppet theater, from a model amusement park to an expedition to Antarctica. By filming staged scenarios (such as a re-creation of the true-life bank robbery featured in the movie, Dog Day Afternoon), Huyghe probes the capacity of cinema to distort and ultimately shape memory.