Continue playing

(Time remaining: )

Play from beginning

Continue playing "{{ controller.videos[controller.getVideo(controller.currentVideo)].segmentParentTitle}}"

{{controller.videos[controller.getVideo(controller.currentVideo)].title}} has ended.

{{ currentTime | date:'HH:mm:ss':'+0000' }} / {{ totalTime | date:'HH:mm:ss':'+0000' }}

{{ currentTime | date:'mm:ss':'+0000' }} / {{ totalTime | date:'mm:ss':'+0000' }}

Add to watchlist

Remove from watchlist

Video unavailable

"You Make Me Iliad"Mary Reid Kelley

Extended Play

November 16, 2012

Filmed at Mary Reid Kelley’s home and studio in Saratoga Springs, New York, the video artist and painter discusses her video work You Make Me Iliad (2010). In researching the lives and experiences of women who lived during the first World War, Reid Kelley was struck by how few first-hand accounts she was able to uncover.

By creating an imagined narrative involving a prostitute, a soldier, and a medical officer, Mary Reid Kelley attempted to reconstitute an experience that would have otherwise been lost to history.

More information and credits

Credits

Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Morgan Riles. Artwork Courtesy: Mary Reid Kelley. Special Thanks: Patrick Kelley. Theme Music: Peter Foley.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

Translate this video

Through the Art21 Translation Project, multilingual audiences from around the globe can contribute translations, making Art21 films more accessible worldwide. Translate this video now.

Licensing

Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.

History World Building Allegory War and Conflict

Performance Video Language

Being an Artist

In videos and drawings filled with punning wordplay, Mary Reid Kelley presents her take on the clash between utopian ideologies and the realities of women’s lives in the struggle for liberation and through political strife, wars, and other historical events. Performing scripted narratives in rhyming verse, the artist, with various family members, explores historical periods through fictitious characters. Adopting a stark black-and-white palette while synthesizing art-historical styles such as Cubism and German Expressionism, Reid Kelley playfully jumbles historical period to trace the ways in which present concerns are rooted in the past.

“Trauma, as experienced by women, is often cut off quite deliberately from artistic expression or artistic experience. The only way that you can reconstitute that experience, that is so lost, is through art—is through imagination.”

Mary Reid Kelley

Gallery