Deep Focus
Deep Focus 98
The Timeless Relevance of Alfredo Jaar’s “A Logo for America”
by Katerina Stathopoulou
April 2, 2020
Futurized Worldview: Art as a Form of Soft Power
by Diana McClure
February 20, 2020
Cultural Mirror: Antibodies, Critics, and Roberta Breitmore
by Lynn Hershman Leeson
January 16, 2020
Colored Time
by American Artist
December 4, 2019
Horror, Contemporary Art, and Film: In Conversation with Dan Herschlein and Chad Laird
by Danielle Brock
December 4, 2019
Reading at the Edge of the World: The Horizon Toward Which We Move (Part II)
by PJ Gubatina Policarpio and Jerome Reyes
October 9, 2019
Reading at the Edge of the World: The Horizon Toward Which We Move (Part I)
by PJ Gubatina Policarpio and Jerome Reyes
October 4, 2019
The Intrinsic Openness of the Hive Mind
by Avram Finkelstein
September 12, 2019
The Tactile Technological Touch of Jacolby Satterwhite
by Rahel Aima
August 23, 2019
Demons and Deities: Martine Gutierrez’s Indigenous Inspired Iconography
by Barbara Calderón
August 1, 2019
Think Through Your Body
by Simon Wu
June 26, 2019
Elle Pérez’s Search for Intensity
by Larissa Pham
June 10, 2019
Pictorial SpaceX
by Caitlin Cherry
May 30, 2019
A Tangible History of the American South
by Allison Janae Hamilton
May 9, 2019
Dancing between Spectacular and Ordinary
by Paul Weinberg
April 15, 2019
Slaughter
by Courtenay Finn
April 3, 2019
Black Mentifact
by Tiona Nekkia McClodden
March 20, 2019
Family Business
by Lucia Hierro
December 21, 2018
Biography is Complicated
by Catherine Morris
October 30, 2018
The Issue Of Perspective
by Lerato Dumse
October 17, 2018
Whose Speech? Artists, Activists, & Being Heard: A Conversation Between Stephanie Syjuco & Astria Suparak
by Astria Suparak and Stephanie Syjuco
September 19, 2018
Another Country
by Heather Hart and Jina Valentine
September 14, 2018
On Fables
by Dmitry Vilensky
August 20, 2018
Access to Healthcare: A Conversation Led by LaToya Ruby Frazier
by LaToya Ruby Frazier
July 6, 2018
Being a Collection
by Ruthie Stringer
June 29, 2018
A Look Inside “Creative Growth Magazine”
by Tom di Maria
June 8, 2018
Exodus and Arrival in “Pre-Image: Blind as the Mother Tongue”
by Hiwa K
May 11, 2018
The Most Public of Private Spaces
by Ahmed Mater
March 30, 2018
In Plain View: Ian Cheng’s Live Simulations
by Eric Crosby
March 2, 2018
On “Monument Lab”
by Ken Lum
January 26, 2018
Hospitality and Hosting Relationships in Michael Rakowitz’s Art
by Danielle Brock
December 29, 2017
Reading Critically: Alexandra Bell’s “Counternarratives”
by Jacquelyn Gleisner
December 22, 2017
Dominate Anonymity: An Interview with Guy Woueté
by Gauthier Lesturgie
December 21, 2017
Patient Time Scripts: Revisiting the Work of Sokhaya Charles Nkosi
by Same Mdluli
December 15, 2017
Empathy in Training: Kerry Tribe’s “Standardized Patient”
by Rachel Heidenry
December 13, 2017
Orawan Arunrak: Words to Communicate
by Roger Nelson
December 11, 2017
Composing Compassion: On Jumana Manna’s “A Magical Substance Flows Into Me”
by Morgan Green
November 29, 2017
The Poetry of Everyday Life: An Interview with Project Row Houses Director Eureka Gilkey
by Lindsey Davis
November 7, 2017
Robots, Race, and Algorithms: Stephanie Dinkins at Recess Assembly
by Jacquelyn Gleisner
November 7, 2017
Ways of Being: Spaces of Learning
by Caroline Woolard and Susan Jahoda, of BFAMFAPhD
October 31, 2017
Inventing the Future: Art and Technology
by Lindsay Howard
October 26, 2017
Ways of Being: Introduction
by Caroline Woolard and Susan Jahoda, of BFAMFAPhD
October 24, 2017
The Digital Museum: A Conversation between Loic Tallon and Julia Kaganskiy (Part II)
by Julia Kaganskiy
October 19, 2017
The Art of the Prototype: Museums and Technology
by Nettrice Gaskins
October 18, 2017
Analia Saban: Abject Inventions
by Carol Cheh
October 17, 2017
Cloth is a Battleground in Stephanie Syjuco’s “CITIZENS”
by Anna Burckhardt
October 13, 2017
Opening to "Time"
by Julia Kaganskiy
October 12, 2017
Dematerializing the Memorial: An Interview with Maya Lin
by Lindsey Davis
September 28, 2017
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