Traveling outside of New York to paint, she works onsite, often selecting scenes that convey a sense of postindustrial grit. Her subjects range from a patch of missing paint on a wall to doors, windows, and other architectural details, but she acknowledges that “anything in the world could be a painting.” Interested in her relationship to the subjects of her paintings, Halvorson resists the term painter; she prefers to think of painting as recording time spent with an object in its environment.

Links:
Artist’s website