Continue playing

(Time remaining: )

Play from beginning

Play from beginning

Continue playing "{{ controller.videos[controller.getVideo(controller.currentVideo)].segmentParentTitle}}"

{{controller.videos[controller.getVideo(controller.currentVideo)].title}} has ended.

{{ currentTime | date:'mm:ss':'+0000' }} / {{ totalTime | date:'mm:ss':'+0000' }} {{cue.title}}
Add to WatchlistRemove from Watchlist
Add to watchlist
Remove from watchlist

Video unavailable

Erin Shirreff & Tony Smith Go Way Back

May 24, 2013

What happens when an image feels more real than the real thing itself? While de-installing Sculpture for Snow (2011) in Downtown Brooklyn, artist Erin Shirreff discusses the creation and inspiration for her first public sculpture. Intrigued by book reproductions of the 20th century American sculptor Tony Smith’s large-scale outdoor works, Shirreff describes visiting an actual Smith sculpture only to realize that there was a lot “more romance and mystery in the image.”

In response Shirreff created her first video work, Sculpture Park (Tony Smith) (2006), a black and white video of Tony Smith sculptures revealed by falling snow (actually, tabletop sized cardboard maquettes dusted with Styrofoam in a studio.) In Shirreff’s video, the mysteriously scaled sculptures appear to be both solid three-dimensional forms and fluid two-dimensional apparitions.

Shirreff describes how the video served as the springboard for the Public Art Fund commissioned project Sculpture for Snow, on view for a full year in the exhibition A Promise Is a Cloud (2011–12) at MetroTech Commons. Using Smith’s sculpture Amaryllis (1965–68) as a model, Shirreff retains Smith’s signature black metal surface and larger than life scale, but collapses the sculpture’s volume and geometry into thinly drawn, weightless lines. With its pictorial and sculptural qualities intertwined, Shirreff’s Sculpture for Snow is an iteration in the artist’s ongoing exploration of the complex relationship between images and objects.

More information and credits

Credits

Art21 New York Close Up Created & Produced by: Wesley Miller & Nick Ravich. Editor: Brad Kimbrough. Additional Editing: Mary Ann Toman. Cinematography: Nicholas Lindner, Nick Ravich, Rafael Moreno Salazar, & Andrew David Watson. Sound: Scott Fernjack & Nick Ravich. Associate Producer: Ian Forster. Production Assistant: Amanda Long & Tida Tippapart. Design & Graphics: Stephanie Andreou, Crux Studio, & Open. Artwork: Erin Shirreff. Thanks: Art Fabricators, Micah Bozeman, Andria Hickey, Lisa Cooley, Mariano Brothers, Public Art Fund, Sam Rauch, Peter Versteeg. An Art21 Workshop Production. © Art21, Inc. 2013. All rights reserved.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

Translate this video

Through the Art21 Translation Project, multilingual audiences from around the globe can contribute translations, making Art21 films more accessible worldwide.

Licensing

Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.

Stream full episodes and segments from the new season of Art in the Twenty-First Century. Watch now.

Erin Shirreff

Erin Shirreff was born in 1975 in Kelowna, British Columbia, Canada, and now lives and works in New York. Shirreff studied sculpture, but her practice is now focused on depicting and challenging the representation of three-dimensional art objects through photography and video. Often building maquettes of large-scale works in her studio, Shirreff then manipulates the light and conditions surrounding the objects before documenting them using digital and analog tools. Describing her videos as “psychologically driven,” Shirreff explains, “My videos don’t have any beginning or end. Every moment contains it, hopefully.”

Public Art

6:13
Add to watchlist

Ursula von Rydingsvard

4:43
Add to watchlist

Martin Puryear

1:45
Add to watchlist

Doris Salcedo