(Time remaining: )
Play from beginning
"The Two Virginias"Sally Mann
Photographer Sally Mann reflects on the life of Virginia Franklin Carter (1894–1994), an African American woman who helped raise the artist and her two brothers in Lexington, Virginia. “My parents were important but Virginia may have been the single most important person in my life,” says Mann, who named her youngest daughter after Carter. They are pictured together in Mann’s series The Two Virginias. Mann interviewed Carter’s children for her forthcoming memoir Hold Still, due out in May 2015.
Mann writes: “Left with six children and a public education system for which she paid taxes but which forbade classes for black children beyond the seventh grade, Gee-Gee managed somehow to send each of them to out-of-state boarding schools and, ultimately, to college.” Featured in addition to The Two Virginias are images from Mann’s Deep South series and her photograph Virginia Asleep (1988).More information and credits
Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interviewer: Susan Sollins. Camera: Bob Elfstrom. Sound: Doug Dunderdale. Editor: Morgan Riles. Artwork Courtesy: Sally Mann. Archival Photography Courtesy: Sally Mann & The Carter Family. Theme Music: Peter Foley.
Art21 Exclusive is supported, in part, by 21c Museum Hotel and by individual contributors.
Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.
Kicking off our year-long 21st anniversary celebration: a special series of new films, premiering every other Wednesday through March 21.
Sally Mann’s early series of photographs of her three children and husband resulted in a series called Immediate Family. In her recent series of landscapes of Alabama, Mississippi, Virginia, and Georgia, Mann has stated that she “wanted to go right into the heart of the deep, dark South.” Shot with damaged lenses and a camera that requires the artist to use her hand as a shutter, these photographs are marked by the scratches, light leaks, and shifts in focus that were part of the photographic process as it developed during the nineteenth century.