In an immersive and architectural installation, artist Rose B Simpson allows viewers to enter the different rooms of her psyche and walk through her dreams. Upon entering the installation, titled Dream House (2022), the viewer is confronted with their own shadow cast against the wall, a reminder of how our presence transforms the spaces we occupy. Simpson remarks, “I would ask people to enter into the space with the kind of reverence that we would enter into our own psychological spaces, that we would navigate our own internal spaces. Even if that sensitivity isn’t a comfortable neural pathway, we can build one, this is how we start.” Cultivating a greater awareness of the world and entities around us is central to both Dream House and Simpson’s larger artistic practice, as she gives opportunities for the viewer to recognize consciousness within objects we’ve collectively deemed inanimate. Throughout the multi-room installation, viewers encounter Simpson’s signature ceramic works alongside newer materials and media such as textiles and video (aspects of her practice she was able to explore through a two-year residency at the Fabric Workshop and Museum, where Dream House is currently installed).

For Simpson, Dream House marks a shift in her life and methodology: a hope that the values and aesthetics she shares within her practice can return to her. Within the installation, Simpson balances generosity and privacy, establishing boundaries that the viewer cannot cross and sections of the installation that cannot be seen. Of the four rooms within Dream House, only one is fully accessible to museumgoers. Within this room, the artist covers the ceiling with paper bowls in reference to a community practice of giving baskets in return for favors. “Some elders will have their whole ceiling covered in baskets,” says Simpson, “Your worth is based on how much you can give and how you’re recognized for the gifts you give.” Additionally, masks adorn the walls throughout the installation, their hollow eyes watching every spectator who moves through the space. For the artist, their watching signals a larger community that exists beyond our perception, a presence both comforting and critical. Dream House embodies Simpson’s prayer, a wish for a more intentional and balanced life and practice. “That’s my goal, you know,” the artist shares. “It’s my dream.”