Even when considering his three-dimensional works, Richard Tuttle commonly refers to his art as drawing rather than sculpture—the distinction emphasizing the diminutive scale and idea-based nature of his work. Influenced by calligraphy, architecture, and poetry, he subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in humble, fragile materials. Tuttle also manipulates the space in which his objects exist, placing them unnaturally high or oddly low on a wall—forcing viewers to reconsider and renegotiate the white-cube gallery space in relation to their own bodies.