Filmed in his Los Angeles studio, artist Paul McCarthy and production manager Amy Baumann describe the nearly decade-long, organic process behind the sculpture Captain Ballsack (2001–2009) and various editions cast from the original work.
Credits
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Bob Elfstrom. Sound: Doug Dunderdale. Editor: Joaquin Perez. Artwork Courtesy: Paul McCarthy. Special Thanks: Amy Baumann. Video: © 2011, Art21, Inc. All rights reserved.
Paul McCarthy’s video-taped performances and provocative multimedia installations lampoon polite society, ridicule authority, and bombard the viewer with a sensory overload, of often sexually-tinged, violent imagery. With irreverent wit, McCarthy often takes aim at cherished American myths and icons—Walt Disney, the Western, and even the Modern Artist—adding a touch of malice to subjects that have been traditionally revered for their innocence or purity. Whether conflating real-world political figures with fantastical characters such as Santa Claus, or treating erotic and abject content with frivolity and charm, McCarthy’s work confuses codes, mixes high and low culture, and provokes an analysis of fundamental beliefs.
In this interview, conducted in Los Angeles in 2009, Paul McCarthy discusses his videos, from early productions like Ma Bell (1971) up through later works like Bossy Burger (1991).