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CollaborationNancy Spero

June 22, 2012

Filmed in 2006 and 2007 at her New York City studio, Nancy Spero (1926-2009) discusses how collaborations with other artists activated her work by allowing for greater variation. In working with others and drawing from an extensive collection of acquired and original figural images, Spero was able to produce art late into her life.

Spero’s piece for the Venice Biennale, Maypole / Take No Prisoners (2007), is shown in process as one of her severed head images is printed on metal by an artist who is encouraged to alter the reproduction so that it looks “war-torn and bloody.”

More information and credits

Credits

Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Nick Ravich & Joel Shapiro. Sound: Roger Phenix & Merce Williams. Editor: Morgan Riles. Artwork Courtesy: Nancy Spero. Special Thanks: Amanda Donnan, Mary-Beth Gregg & Samm Kunce. Theme Music: Peter Foley.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

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Nancy Spero

Nancy Spero is a pioneer of feminist art. Her work since the 1960s is an unapologetic statement against the pervasive abuse of power, Western privilege, and male dominance. Executed with a raw intensity on paper and in ephemeral installations, her work often draws its imagery and subject matter from current and historical events. Spero samples from a rich range of visual sources of women as protagonists to create figures that co-exist in nonhierarchical compositions on monumental scrolls, visually reinforcing principles of equality and tolerance.

Collaboration

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Jenny Holzer

5:29
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3:29
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William Kentridge

Nancy Spero discusses two installations that employ Egyptian imagery: Black and the Red III (1994) and Cri du Coeur (2005).

Nancy Spero

1:02
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12:32
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Nancy Spero