From her home in New Haven, Connecticut, Jessica Stockholder discusses the strength of form and the difficulty in articulating the meaning behind abstract shapes.
Credits
Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera: Mead Hunt. Sound: Merce Williams. Editor: Jenny Chiurco and Mary Ann Toman. Artwork Courtesy: Jessica Stockholder.
Jessica Stockholder is a pioneer of multimedia genre-bending installations that have become a prominent language in contemporary art. Her site-specific interventions and autonomous floor and wall pieces have been described as “paintings in space.” Stockholder’s complex installations incorporate the architecture in which they have been conceived, blanketing the floor, scaling walls and ceiling, and even spilling out of windows, through doors, and into the surrounding landscape. Her work is energetic, cacophonous, and idiosyncratic, but close observation reveals formal decisions about color and composition, and a tempering of chaos with control.
In this interview, Jessica Stockholder talks about her ideas of beauty and abstraction in relation to formalist aesthetics.