Arlene Shechet discusses a series of plaster sculptures that she created over the course of six years in the mid-1990s, following the death of a close friend. The artist developed a greater appreciation of time following the experience.

“To honor Carol, I basically threw out everything in my studio and I started anew,” says Shechet. She began sculpting in plaster, a material with which she had previously worked, but had not valued in the same way. “Every single second as it’s drying, it changes,” says Shechet, who sculpted without an armature. “Whatever time—be it an hour or be it five hours—I would make a piece out of that material that suddenly became just the right thing.”

Though she eventually recognized the sculptures to resemble Buddhist iconography, Shechet initially intended to create figures that could remind her of the fragility of life. An installation of the sculptures, which reflects how she lives with them in her studio, is shown at the Institute of Contemporary Art (ICA) in Boston as part of Shechet’s twenty-year survey, All at Once (June 10 – September 7, 2015).