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"Surrogate Paintings" & "Plaster Surrogates"Allan McCollum

September 14, 2010

Filmed in his Brooklyn studio, Allan McCollum discusses his Surrogate Paintings (begun in 1978) and Plaster Surrogates (begun in 1982).

Wanting to “construct an emblem” for what an artist does and demystify what it means to be an artist, McCollum’s symbolic works reveal the social game of looking at, selling, and making art through theatrical installations of mass-produced objects.

More information and credits

Credits

Producer: Wesley Miller & Nick Ravich. Interview: Wesley Miller & Susan Sollins. Camera: Joel Shapiro. Sound: Tom Bergin. Editor: Lizzie Donahue & Joaquin Perez. Artwork Courtesy: Allan McCollum & Friedrich Petzel Gallery. Special Thanks: Celina Paiz, Marcie Paper & Adele Röder.

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

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Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.

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Allan McCollum

Applying strategies of mass production to handmade objects, Allan McCollum’s labor-intensive practice questions the intrinsic value of the unique work of art. McCollum’s installations—fields of vast numbers of small-scale works, systematically arranged—are the product of many tiny gestures, built up over time. Viewing his work often produces a sublime effect—as one slowly realizes that the dizzying array of thousands of identical-looking shapes is, in fact, composed of subtly different, distinct things. Economical in form, yet curious in function, his work and mechanical-looking processes are infused with humor and humility.

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Allan McCollum

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