Larry Little, co-founder of Aunt Holly’s Copper Cookie Cutters with his wife Holly, describes his experiences working with artist Allan McCollum on the Shapes from Maine (2009) exhibition at Friedrich Petzel Gallery in New York.
Little describes the origins of his home business in Trescott, Maine, the process he developed for making cookie cutters by hand, and his working relationship with McCollum.
Credits
Producer: Wesley Miller & Nick Ravich. Interview: Susan Dowling. Camera: Richard Kane & Joel Shapiro. Sound: Kenny Weinberg. Editor: Lizzie Donahue & Paulo Padilha. Artwork Courtesy: Allan McCollum. Thanks: Holly & Larry Little.
Applying strategies of mass production to handmade objects, Allan McCollum’s labor-intensive practice questions the intrinsic value of the unique work of art. McCollum’s installations—fields of vast numbers of small-scale works, systematically arranged—are the product of many tiny gestures, built up over time. Viewing his work often produces a sublime effect—as one slowly realizes that the dizzying array of thousands of identical-looking shapes is, in fact, composed of subtly different, distinct things. Economical in form, yet curious in function, his work and mechanical-looking processes are infused with humor and humility.
What prompted Allan McCollum to become an artist? In this interview, conducted in 2009 at his New York City studio, McCollum reflects on his path and the many different influences along the way, from his famous uncle to post-war mass production to science fiction.