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In the close quarters of a New York City apartment, two friends cook a meal together and talk about the beginnings of their decade-long friendship. Artist Aliza Nisenbaum began her friendship with Veronica Ramírez and her observational portrait painting practice in 2012 at artist Tania Bruguera’s Immigrant Movement International (IMI) in Corona, Queens. The two met in an English language course that Nisenbaum taught through feminist art history, and when the artist asked to paint portraits of her students, Ramírez was one of the first. Since then, Nisenbaum has continued to paint vibrant and detailed portraits from life, including numerous paintings of Ramírez and her extended family. In her studio at the Queens Museum, the artist sits and talks with Ramírez’s daughter, Marissa Campiz, as she puts the finishing touches on her latest painting of the mother and daughter.

Before painting portraits, Nisenbaum had moved from her hometown of Mexico City to the United States, where she studied at the School of the Art Institute of Chicago and worked in abstract painting. Later, the artist moved to New York City and began a series of still lifes of flowers inspired by the floral arrangements of Mexican street vendors. Still, it was not until her time at IMI that she began her present-day practice in observational portraiture. Ten years after she began teaching at IMI, Nisenbaum’s socially engaged practice returns to Queens as part of a two-year residency at the Queens Museum, where she teaches art-making courses to the La Jornada and Queens Museum Cultural Food Pantry volunteers. Much like at IMI, Nisenbaum’s course provides valuable skills, avenues for expression, and access to community for her students. At the culmination of her residency, Nisenbaum mounts her solo exhibition Queens, Lindo y Querido, where her portraits of the Corona community, including Ramírez and Campiz, volunteers at the food pantry, and more, are exhibited alongside the works of Nisenbaum’s students at the Queens Museum. Through her practice, the artist celebrates human connection and understanding, spotlighting individuals who facilitate community. “The biggest resource we have are these relationships.” says Nisenbaum, “Your resources are the people around you.”