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Edgar Arceneaux in "Los Angeles"
Edgar Arceneaux investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen’s tragically misunderstood blackface performance at Ronald Reagan’s 1981 Inaugural Gala.
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Edgar Arceneaux investigates historical patterns through drawings, installations, and multimedia events. In the artist’s work, linear logic is abandoned in favor of wordplay and visual associations, revealing how language, technology, and systems of ordering produce reality as much as describe them. Seemingly disparate elements—such as science fiction, civil rights era speeches, techno music, and the crumbling architecture of Detroit—find a new synchronicity in the artist’s hands, ultimately pointing to larger historical forces such as the rise of the surveillance state.
“Art is not inherently good. It’s not inherently bad. But it is inherently contradictory.”
Edgar Arceneaux
America Now
How are artists answering the question: What is America today? Historical markers continue to shape the discourse of the new-normal and artists are responding with powerful works that are representative of the times. This playlist showcases how artists are responding to the dynamic nature of the United States and its parallels.