Continue playing

(Time remaining: )

Play from beginning

Play from beginning

Continue playing "{{ controller.videos[controller.getVideo(controller.currentVideo)].segmentParentTitle}}"

{{controller.videos[controller.getVideo(controller.currentVideo)].title}} has ended.

{{ currentTime | date:'mm:ss':'+0000' }} / {{ totalTime | date:'mm:ss':'+0000' }} {{cue.title}}
Add to WatchlistRemove from Watchlist
Add to watchlist
Remove from watchlist

Video unavailable

Arlene Shechet in "Secrets"Preview

In this preview from the Art in the Twenty-First Century Season 7 episode, Secrets, artist Arlene Shechet reflects on her interests in clay as a material.

Shown at work in her Woodstock, NY studio in early 2014, the artist describes a freedom in working with clay because of the material’s “lack of beauty in its raw state.” “Because it has no character, I can make anything,” says the artist. “It’s just there to be invented.”

More information

Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian

Translate this video

Through the Art21 Translation Project, multilingual audiences from around the globe can contribute translations, making Art21 films more accessible worldwide.


Interested in showing this film in an exhibition or public screening? To license this video please visit Licensing & Reproduction.

Arlene Shechet

Arlene Shechet employs an experimental approach to ceramic sculpture—she tests the limits of gravity, color, and texture by pushing against the boundary of classical techniques, sometimes fusing her kiln-fired creations with complex plinths formed of wood, steel, and concrete. Variously sensual, humorous, and elegant, her clay-based vessels evoke the tension between control and chaos, beauty and ugliness, perfection and imperfection. Considering herself an installation artist who happens to make objects, Shechet focuses intently on ensuring that the display, sight lines, and relationships of the objects in her exhibitions change with every view while maintaining formal equilibrium.

“Because it has no character, I can make anything. It’s just there to be invented.”

Arlene Shechet on clay

Add to watchlist
Add to watchlist
Add to watchlist