Applying strategies of mass production to hand-made objects, McCollum’s labor-intensive practice questions the intrinsic value of the unique work of art. McCollums installations—fields of vast numbers of small-scale works, systematically arranged—are the product of many tiny gestures, built up over time.

Viewing his work often produces a sublime effect as one slowly realizes that the dizzying array of thousands of identical-looking shapes is, in fact, comprised of subtly different, distinct things.