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In the studio Jessica Stockholder makes sculptures on the scale of furniture, assembling objects made of brightly colored plastic. “I love plastic. And I also just love color,” Jessica Stockholder says. “Plastic is cheap and easy to buy, and my work participates in that really quick and easy and inexpensive material that’s part of our culture.”
At the Rice Gallery in Houston where she is working on a large exuberant installation, Stockholder’s fascination with systems is evident in the way she arranges mundane objects in playful, surprising ways.
“I’m interested in how a thinking process can meander in unpredictable ways,” she says. Like child’s play, “learning that doesn’t have a predetermined end.”
More information and creditsCredits
Created by: Susan Sollins & Susan Dowling. Executive Producer & Curator: Susan Sollins. Series Producer: Eve-Laure Moros Ortega. Associate Producer: Migs Wright. Assistant Curator: Wesley Miller. Production Manager: Alice Bertoni. Production Coordinator: Kelly Shindler. Producer: Charles Atlas. Editor: Lizzie Donahue. Host: Grant Hill. Director of Photography: Jim Barham, Terry Doe, Mead Hunt, Tom Hurwitz, Eddie Marritz, & Joel Shapiro. Sound: Leigh Crisp, Les Honess, Mark Mandler, Roger Phenix, Gary Silver, Merce Williams, & Richard Yeats. Assistant Camera: Craig Feldman, Andrew Heikkila, Brian Hwang, Steve Nealey, Kipjaz Savoie, & Trent Wittenbach. Production Assistant: Justin Leitstein. Assistant Avid Editors: Robert Achs, Jamie Courville, Sean Frechette, Mike Heffron, David Kreger, Cara Leroy O’Connell, Joaquin Perez, Aaron Sheddrick, &
Lynn True. Still Photography: Alice Bertoni.
Creative Consultant: Ed Sherin. Art Design & Animation: Open, New York. On-Line Editor: Don Wyllie & Frame:Runner NYC. Composer: Peter Foley. Voice-Over Artist: Jace Alexander. Sound Editing: Margaret Crimmins, Greg Smith, & Dog Bark Sound. Sound Mix: Tony Volante & Sound Lounge. Animation Stand: Frank Ferrigno & Frame:Runner NYC. Introductory Host Segments Created by: INTERspectacular. Commissioned Video Art by: Teresa Hubbard / Alexander Birchler.
Artworks Courtesy of: Ellen Gallagher; Arturo Hererra; Oliver Herring; Jessica Stockholder; Blaffer Gallery, Houston; Edgar Cleijne; Gagosian Gallery, New York; Gorney Bravin + Lee, New York; Max Protetch, New York; Mitchell-Innes & Nash, New York; Brent Sikkema, New York; & Two Palms Press, New York.
Special Thanks: The Art21 Board of Trustees; Maria Baptista; Jeff Bechtel; Josie Browne; Centro Galego de Arte Contemporánea, Spain; Cherie Greer; Curious Pictures; Kim Davenport; Dieu Donné Papermill; Julie Gannon; Jay Gorney; Leta Grzan; Andrea Hall; Michael Jenkins; David Lasry; Sheri Pasquarella; Rice University Art Gallery; Natasha Roje; Soundtrack F/T; Terrie Sultan; Ttweak; University of Central Florida; Dona Warner; & The Yale Center for Media Initiatives.
Director of Education & Outreach: Jessica Hamlin. Director of Development: Kathi Pavlick. Development Associate: Sara Simonson.
Interns: Susan Agliata, Nathan Townes-Anderson, Hannah Blumenthal, Agnes Bolt, Lisa Charde, Mary Chou, Kate Crawford, Amanda Donnan, Sophie Dunoyer de Segonzac, Suzy Foster, Jules Gaffney, Katie Hen, Heather Hughes, Adam Krakowski, Georgia Kung, David Mark Kupperberg, Maiko Kyogoku, Phil Logan, Lisa Margulies, Michelle Maydanchik, Carla Meyers, Christine Miller, Geoffrey Pan, Sujay Pandit, Jihan Robinson, Jennifer Sarkilahti, Megan Scally, Karen Seapker, Greg Shilling, Sarah Sliwa, Jennifer Smith, & Elizabeth Swift.
Public Relations: Kelly & Salerno Communications. Station Relations: De Shields Associates, Inc. Legal Counsel: Albert Gottesman. Bookkeeper: Marea Alverio-Chaveco & William Handy.
Major underwriting for Season 3 of Art in the Twenty-First Century is provided by National Endowment for the Arts, PBS, Agnes Gund and Daniel Shapiro, Nathan Cummings Foundation, Corporation for Public Broadcasting, Jon and Mary Shirley Foundation, Bagley Wright Fund Bloomberg, The Horace W. Goldsmith Foundation, JPMorgan Chase, Melva Bucksbaum and Raymond Learsy, The Paul G. Allen Family Foundation, and The Andy Warhol Foundation for the Visual Arts.
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Jessica Stockholder is a pioneer of multimedia genre-bending installations that have become a prominent language in contemporary art. Her site-specific interventions and autonomous floor and wall pieces have been described as “paintings in space.” Stockholder’s complex installations incorporate the architecture in which they have been conceived, blanketing the floor, scaling walls and ceiling, and even spilling out of windows, through doors, and into the surrounding landscape. Her work is energetic, cacophonous, and idiosyncratic, but close observation reveals formal decisions about color and composition, and a tempering of chaos with control.
“I’m interested in how a thinking process can meander in unpredictable ways.”
Jessica Stockholder