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Eleanor Antin in "Humor"
Eleanor Antin is at work on her photographic series The Last Days of Pompeii, a commentary on the affluent residents of the paradise of La Jolla, California. There is a comparison to be made, Antin explains, “between America, as this great colonial power, and one of the early great colonial powers, Rome.”
In her highly-theatrical films, photographs, and performance art, Antin draws from the childhood play, an infatuation with stand-up and slapstick comedy, and the tragic humor that is part of her Jewish heritage. “I always tend to see the funny side of things,” she says. “That’s the richest experience, when it’s the laughter and it’s the tears together.”
More information and creditsCredits
Created by: Susan Sollins & Susan Dowling. Executive Producer & Curator: Susan Sollins. Series Producer: Eve-Laure Moros Ortega. Associate Producer: Migs Wright. Assistant Curator: Wesley Miller. Production Manager: Alice Bertoni & Laura Recht. Production Coordinator: Kelly Shindler & Sara Simonson. Director of Education & Outreach: Jessica Hamlin. Producer: Catherine Tatge. Editor: Steven Wechsler. Host Segment Artist: Charles Atlas. Host: Margaret Cho. Host Segment Guest: Bruce Daniels. Director of Photography: Bob Elfstrom, Mead Hunt, Ken Kobland, Kirk Miller, & Joel Shapiro. Sound: Tom Bergin, Doug Dunderdale, Richard Fleming, Judith Karp, Mark Mandler, Martyn Truman, & Bill Wander. Gaffer/Grip: Ned Hallick, Cricket Peters, Andrew Wilson, & Jesse Wine. Assistant Camera: Jarred Alterman, Craig Feldman, Brian Hwang, & Kipjaz Savoie. Production Assistant: Eric Kutner, Ronny Merdinger, Dawn Watson, & Pamela Whidden. Assistant Avid Editors: Julie Farol, Geoff Gruetzmacher, Daniel Nelson, & Jeremy Siefer. Still Photography: Alice Bertoni & Bob Elfstrom.
Creative Consultant: Ed Sherin. Graphic Design & Animation: Open, New York. Animation, Visual Effects & Compositing: Spontaneous Combustion. On-Line Editor: Don Wyllie & Frame:Runner NYC. Composer: Peter Foley. Voice-Over Artist: Jace Alexander. Sound Editing: Margaret Crimmins, Greg Smith, & Dog Bark Sound. Sound Mix: Tony Volante & Soundtrack F/T. Animation Stand: Frank Ferrigno & Frame:Runner NYC.
Artworks courtesy of: Eleanor Antin; Walton Ford; Elizabeth Murray; Raymond Pettibon; Electronic Arts Intermix, New York; Ronald Feldman Fine Arts; Paul Kasmin Gallery; Philadelphia Museum of Art; Regen Projects, Los Angeles; & David Zwirner Gallery.
Special Thanks: The American Museum of Natural History; The Art21 Board of Trustees; Jamie Bennett; Andrea and Eric Colombel; Cate Ellison; Bruce Gluck; Museu d’Art Contemporani de Barcelona; PaceWildenstein; Sallie Slate; Karen Taussig; Jonathan Turer; & Wingate Studio.
Interns: Sharon Ber, Elana Davidian, Eliza Geddes, Karmin Guzder, Ehren Joseph, Lisa Kalikow, Lila Kanner, Crystal Kui, Daniela Leonard, Ronny Merdinger, Parth Savla, Kristen Smith, Whitney Smith, Morgan Soloski, Jo-ey Tang, Asya Varshishky, Jesse Whittle-Utter, & Jeremy Zilar.
Public Relations: Kelly & Salerno Communications. Legal Counsel: Albert Gottesman. Bookkeeper: William Handy.
Major underwriting for Season 2 of Art in the Twenty-First Century is provided by National Endowment for the Arts, PBS, Corporation for Public Broadcasting, The Allen Foundation for the Arts, Agnes Gund and Daniel Shapiro, Bloomberg, The Jon and Mary Shirley Foundation, Nonprofit Finance Fund, JPMorgan Chase, The Andy Warhol Foundation for the Visual Arts, The Horace W. Goldsmith Foundation, New York Arts Recovery Fund, Peter Norton Family Foundation, New York Times Company Foundation, Dorothea L. Leonhart Foundation, and Elizabeth Firestone Graham Foundation.
Closed captionsAvailable in English, German, Romanian, Italian, Japanese, Korean, Chinese, Italian
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An influential performance artist, filmmaker, and installation artist, Eleanor Antin delves into history—whether of ancient Rome, the Crimean War, the salons of nineteenth-century Europe, or her own Jewish heritage and Yiddish culture—as a way to explore the present. Antin is a cultural chameleon, masquerading in theatrical or stage roles to expose her many selves. Her most famous persona is that of Eleanora Antinova, the tragically overlooked black ballerina of Sergei Diaghilev’s Ballets Russes. Appearing as Antinova in scripted and non-scripted performances for over a decade, Antin has blurred the distinction between her identity and that of her character. In the process, she has created a rich body of work, detailing the multiple facets of her beloved Antinova, including a fictitious memoir and numerous films, photographs, installations, performances, and drawings.
“I always tend to see the funny side of things. That’s the richest experience, when it’s the laughter and it’s the tears together.”
Eleanor Antin
Artist at Work
