Director’s Notes with Andrea Yu-Chieh Chung | “José de Jesús Rodríguez’s Back & Forth”

When my colleague and I first met José during our initial studio visit before production for this film began, he told us that things were about to ‘get weird’ in the studio. He had just come out of his first solo show in New York and was pondering what was next. It was a great […]

More
Two people in a workshop use torches to work on a metal sculpture; tools, gas tanks, and art supplies are visible around them.

Director’s Notes with Adam Golfer | “Camille Henrot: In Movement”

Camille is in perpetual motion, and a lot of the film was trying to learn her rhythms: in the studio, in the editing room, in the foundry. Her interests are wide-ranging, but her ‘hand,’ and her particular way of looking at the world held things together no matter what she was working on. I’ve followed […]

More
Trey Abdella with a beard stands outdoors in front of an amusement park with a Ferris wheel and colorful rides visible in the background.

Director’s Notes with Andrew Nadkarni | “Trey Abdella’s Miserable Dream”

The first idea Trey and I had for this film was to conduct an interview on the Spook-a-Rama ride at Coney Island. It felt like the perfect way to get inside his mind—surrounded by a cacophony of laughter, screaming, and illusion. Trey often says he wants his art to feel like a roller coaster: beautiful, […]

More
Anne Imhof with long dark hair stands in a dimly lit crowd, looking to the side, with blue backlighting illuminating the scene.

Director’s Notes with Ian Forster | “Anne Imhof: DOOM

When we first started filming with Anne around her performance Doom: House of Hope at the Park Avenue Armory, it really struck me how collaborative the production was. She brought together artists from different disciplines, such as ballet dancers, bone breakers, skateboarders, punk rock bands, and vocalists, and opened up the creative process to incorporate […]

More
Screenshot of a video call with six people laughing and smiling against various backgrounds, arranged in a 2x3 grid.

Director’s Notes with Andrea Yu-Chieh Chung and Adam Golfer | “I Wanna Be With You Everywhere”

Adam Golfer—Neither one of us had ever worked on a film about a group of artists whose practices are all very different, but operate together as a collective, and come together for a unified purpose. After meeting with the collective I Wanna Be With You Everywhere (IWBWYE) for the first time, it became clear that […]

More
Arthur Jafa with gray braided hair, a beard, and earrings is shown in profile, looking forward in an indoor setting.

Director’s Notes with Jurrell Lewis | “Arthur Jafa: Sequencing the Notes”

Before coming on as the director of this film, I thought I understood Arthur Jafa’s practice. I had seen APEX and Love is the Message, the Message is Death, and saw AJ’s work as chronicling Black life in America, both the good and the bad. I still think that’s true—his films do offer a nuanced […]

More
Hyeree Ro with long dark hair closely observes small sculpted objects displayed on a transparent surface supported by a wooden frame.

Director’s Notes with Andrea Yu-Chieh Chung

When I was first introduced to Hyeree, I fell in love with her work immediately. Given our shared background—we’re both East Asians living in the US, existing between two languages and two places—it’s perhaps not surprising that I resonated with Hyeree’s musings around language and the idea that when you’re speaking one language, you’re one […]

More