The first idea Trey and I had for this film was to conduct an interview on the Spook-a-Rama ride at Coney Island. It felt like the perfect way to get inside his mind—surrounded by a cacophony of laughter, screaming, and illusion. Trey often says he wants his art to feel like a roller coaster: beautiful, […]

When we first started filming with Anne around her performance Doom: House of Hope at the Park Avenue Armory, it really struck me how collaborative the production was. She brought together artists from different disciplines, such as ballet dancers, bone breakers, skateboarders, punk rock bands, and vocalists, and opened up the creative process to incorporate […]

Adam Golfer—Neither one of us had ever worked on a film about a group of artists whose practices are all very different, but operate together as a collective, and come together for a unified purpose. After meeting with the collective I Wanna Be With You Everywhere (IWBWYE) for the first time, it became clear that […]

Before coming on as the director of this film, I thought I understood Arthur Jafa’s practice. I had seen APEX and Love is the Message, the Message is Death, and saw AJ’s work as chronicling Black life in America, both the good and the bad. I still think that’s true—his films do offer a nuanced […]

When I was first introduced to Hyeree, I fell in love with her work immediately. Given our shared background—we’re both East Asians living in the US, existing between two languages and two places—it’s perhaps not surprising that I resonated with Hyeree’s musings around language and the idea that when you’re speaking one language, you’re one […]