"Revival Field," schematic drawing,1990Graphite, ink and photocopied images on rag board,24 × 36 inchesCourtesy the Artist
"Revival Field,"Pig’s Eye Landfill, St. Paul, Minnesota1991Plants, and industrial fencing on a hazardous waste landfill,approximately 60 × 60 × 9 feetCourtesy the Artist
"Revival Field,"Pig’s Eye Landfill, St. Paul, Minnesota1991Plants, and industrial fencing on a hazardous waste landfill,approximately 60 × 60 × 9 feetCourtesy the Artist
"Revival Field,"Pig’s Eye Landfill, St. Paul, Minnesota1991Photo documentation of the first harvest on a State Priority Superfund SiteCourtesy the Artist
"RU 486 Quilt,"1996Appliqué on cotton fabric,62 × 53 inchesPhoto by Paula Goldman
Courtesy the GALA Committee
"Melrose Place/GALA Committee,"Kyle and Amanda on a date at "In the Name of the Place" exhibition at the Los Angeles Museum of Contemporary Art1997production still,Photo by Paula Goldman
Courtesy the GALA Committee
"Melrose Place/GALA Committee,"Kyle and Amanda on a date at "In the Name of the Place" exhibition at the Los Angeles Museum of Contemporary Art. Mel Chin and set decorator Deborah Siegel are in the foreground.1997production still,Photo by Paula Goldman
Courtesy the GALA Committee
"KNOWMAD,"1999digital still,Collaboration with the KNOWMAD Confederacy. The images and motifs used in "KNOWMAD" were taken directly from weavings by nomadic peoples of Iran, the Caucuses, Afghanistan, Azerbaijan, Central Asia, and Anatolia (in present-day Turkey)
"KNOWMAD,"1999Interactive video installation with Playstation, vintage carpets and fabric tent,dimensions variableCollaboration with the KNOWMAD Confederacy
Courtesy Frederieke Taylor Gallery, New York
"KNOWMAD,"1999digital stills,Collaboration with the KNOWMAD Confederacy. The images and motifs used in "KNOWMAD" were taken directly from weavings by nomadic peoples of Iran, the Caucuses, Afghanistan, Azerbaijan, Central Asia, and Anatolia (in present-day Turkey)
Courtesy the KNOWMAD Confederacy
