 From an Historical Anecdote about Fashion2000Blown glass, wood, metal and glass display case, five framed digital printsDisplay case dimensions: 72 × 120 × 28 inches Digital prints: 18 × 25 1/2 inches each From an Historical Anecdote about Fashion2000Blown glass, wood, metal and glass display case, five framed digital printsDisplay case dimensions: 72 × 120 × 28 inches Digital prints: 18 × 25 1/2 inches each- Photo by Tom Van Collection Whitney Museum of American Art, New York, NY- Courtesy Donald Young Gallery, Chicago 
 From an Historical Anecdote about Fashion2000Blown glass, wood, metal and glass display case, five framed digital printsDisplay case dimensions: 72 × 120 × 28 inches Digital prints: 18 × 25 1/2 inches each From an Historical Anecdote about Fashion2000Blown glass, wood, metal and glass display case, five framed digital printsDisplay case dimensions: 72 × 120 × 28 inches Digital prints: 18 × 25 1/2 inches each- Photo by Tom Van Collection Whitney Museum of American Art, New York, NY- Courtesy Donald Young Gallery, Chicago 
 From an Historical Anecdote about Fashion, detail2000Blown glass, wood, metal and glass display case, five framed digital printsDisplay case dimensions: 72 × 120 × 28 inches Digital prints: 18 × 25 1/2 inches each From an Historical Anecdote about Fashion, detail2000Blown glass, wood, metal and glass display case, five framed digital printsDisplay case dimensions: 72 × 120 × 28 inches Digital prints: 18 × 25 1/2 inches each- Photo by Tom Van Eynd Collection Whitney Museum of American Art, New York- Courtesy Donald Young Gallery, Chicago 
 Charlotte Perriand, Carlo Scarpa, others (White)2000Blown glass, wood and metal shelvingCase dimensions: 89 1/2 × 93 1/2 × 18 inches Charlotte Perriand, Carlo Scarpa, others (White)2000Blown glass, wood and metal shelvingCase dimensions: 89 1/2 × 93 1/2 × 18 inches- Photo by Tom Van Eynde Private Collection- Courtesy Donald Young Gallery, Chicago 
 Adolf Loos’ Ornament and Crime2002Blown glass, wood, glass, and electric lightingCase dimensions: 49 × 60 × 10 1/2 inches Adolf Loos’ Ornament and Crime2002Blown glass, wood, glass, and electric lightingCase dimensions: 49 × 60 × 10 1/2 inches- Photo by Tom Van Eynde Collection of the Detroit Institute of the Arts- Courtesy Donald Young Gallery, Chicago 
 Model for Total Reflective Abstraction (after Buckminster Fuller and Isamu Noguchi)2003Mirrored blown glass, wood and mirror49 × 144 × 88 inches Model for Total Reflective Abstraction (after Buckminster Fuller and Isamu Noguchi)2003Mirrored blown glass, wood and mirror49 × 144 × 88 inches- Photo by Stephen White Promised gift to the de Young Museum of Art, San Francisco, California- Courtesy Donald Young Gallery, Chicago 
 Modernity circa 1952, Mirrored and Reflected Infinitely2004Mirrored blown glass, chrome metal, glass, mirror, electric lighting30 1/2 × 56 1/2 × 18 1/2 inches Modernity circa 1952, Mirrored and Reflected Infinitely2004Mirrored blown glass, chrome metal, glass, mirror, electric lighting30 1/2 × 56 1/2 × 18 1/2 inches- Photo by Tom Van Eynde Collection Milwaukee Art Museum, Milwaukee, Wisconsin- Courtesy Donald Young Gallery, Chicago 
 Modernity circa 1952, Mirrored and Reflected Infinitely, detail2004Mirrored blown glass, chrome metal, glass, mirror, electric lighting30 1/2 × 56 1/2 × 18 1/2 inches Modernity circa 1952, Mirrored and Reflected Infinitely, detail2004Mirrored blown glass, chrome metal, glass, mirror, electric lighting30 1/2 × 56 1/2 × 18 1/2 inches- Photo by Tom Van Eynde Collection Milwaukee Art Museum, Milwaukee, Wisconsin- Courtesy Donald Young Gallery, Chicago 
 Landscape Model for Total Reflective Abstraction2004Mirrored blown glass, wood and mirror28 × 87 × 57 inches Landscape Model for Total Reflective Abstraction2004Mirrored blown glass, wood and mirror28 × 87 × 57 inches- Photo by Tom Van Eynde Collection Dallas Museum of Art, Dallas, Texas- Courtesy Donald Young Gallery, Chicago 
 
			







