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    Artwork Survey

    Diana Al-Hadid
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    • Diana Al-Hadid. Antonym, 2012. Steel, polymer gypsum, fiberglass, wood, foam, paint; 68 × 63 × 54 inches. Installation view: The Vanishing Point, Marianne Boesky Gallery. Photo: Jason Wyche and Genevieve Hanson. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Divided Line, 2012. Polymer gypsum, fiberglass, gypsum board, plaster, wood, steel, paint; 123 5/8 × 180 5/16 inches. Installation view: The Vanishing Point, Marianne Boesky Gallery. Photo: Jason Wyche and Genevieve Hanson. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Divided Line (opposite side), 2012. Polymer gypsum, fiberglass, gypsum board, plaster, wood, steel, paint; 123 5/8 × 180 5/16 inches. Installation view: The Vanishing Point, Marianne Boesky Gallery. Photo: Jason Wyche and Genevieve Hanson. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, At the Vanishing Point, 2012. Steel, polymer gypsum, fiberglass, wood, foam, aluminum foil, paint; 132 × 152 × 90 inches. The Vanishing Point, Marianne Boesky Gallery. Photo: Jason Wyche and Genevieve Hanson. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Suspended After Image, 2012. Wood, steel, polymer gypsum, fiberglass, high-density foam, plaster, paint; 282 × 204 × 126 inches. Commissioned by the Visual Arts Center in the Department of Art and Art History at the University of Texas at Austin. Photo: Robert Boland and Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Suspended After Image (opposite side), 2012. Wood, steel, polymer gypsum, fiberglass, high-density foam, plaster, paint; 282 × 204 × 126 inches. Commissioned by the Visual Arts Center in the Department of Art and Art History at the University of Texas at Austin. Photo: Robert Boland and Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Untitled, 2012. Conte, charcoal, pastel, acrylic on mylar; 60 × 42 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Nolli’s Orders, 2012. Steel, polymer gypsum, fiberglass, wood, foam, paint; 264 × 228 × 122 inches. Installation view: Invisible Cities, MASS MoCA, North Adams, MA. Photo: Dennis Harvey and Art Evans and Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, Blind Bust III, 2012. Bronze, painted stainless steel; 76 × 34 × 48 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Untitled, 2012. Conte, charcoal, pastel, acrylic on mylar; 41.75 × 59.625 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Gradiva’s Fourth Wall, 2011. Steel, polymer gypsum, wood, fiberglass, paint; 183.5 × 190.75 × 132 inches. Installation view: Sightings: Diana Al-Hadid, Nasher Sculpture Center, Dallas. Photo: Kevin Todora. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Gradiva’s Fourth Wall (opposite side), 2011. Steel, polymer gypsum, wood, fiberglass, paint; 183.5 × 190.75 × 132 inches. Installation view: Sightings: Diana Al-Hadid, Nasher Sculpture Center, Dallas. Photo: Kevin Todora. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid. Trace of a Fictional Third, 2011. Polymer gypsum, wood, steel, fiberglass, aluminum foil, paint; 120 × 240 × 156 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Trace of a Fictional Third (detail), 2011. Polymer gypsum, wood, steel, fiberglass, aluminum foil, paint; 120 × 240 × 156 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, In Mortal Repose, 2011. Bronze, cast concrete; 72 × 71 × 63.25 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Suspended Reality

    • Diana Al-Hadid, Cenotaph for Two, 2011. Polymer gypsum, fiberglass, steel, polystyrene, wood, paint; 90 × 90 × 132 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Cenotaph for Two (opposite side), 2011. Polymer gypsum, fiberglass, steel, polystyrene, wood, paint; 90 × 90 × 132 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Untitled, 2011. Xerox transfer, charcoal, conte, watercolor on vellum; 41.75 × 61 inches. Photo: Jason Wyche. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Water Thief, 2010. Steel, fiberglass, polymer gypsum, polystyrene, wood, high-density foam, paint; dimensions variable. Installation view: Water Thief, Hammer Museum, Los Angeles. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Stage Fright, 2010. Bronze; 19 × 18 × 21 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Forever (blank) Matter, 2009. Fiberglass, polymer gypsum, steel, plaster, paint; 84.5 × 104.5 × 139 inches. Photo: Peter Foe. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Forever (blank) Matter (detail), 2009. Fiberglass, polymer gypsum, steel, plaster, paint; 84.5 × 104.5 × 139 inches. Photo: Peter Foe. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Edge of Critical Density, 2009. Fiberglass, polymer gypsum, steel, wood, paint; 90 × 79 × 90.75 inches. Photo: Peter Foe. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Edge of Critical Density (opposite side), 2009. Fiberglass, polymer gypsum, steel, wood, paint; 90 × 79 × 90.75 inches. Photo: Peter Foe. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Spells on Our Youth, 2009. Steel, fiberglass, resin, polystyrene, high-density foam, paint; 180 × 192 × 192 inches. Installation view: Sharjah Biennial 9, Sharjah Art Foundation, United Arab Emirates. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Invisibabel, 2009. Conte, charcoal; 23 × 39 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Built from Our Tallest Tales, 2008. Wood, metal, polystyrene, polymer gypsum, fiberglass, plastic, concrete, paint; 144 × 100 × 80 inches. Photo: Mariano C. Peuser. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, Built from Our Tallest Tales (detail), 2008. Wood, metal, polystyrene, polymer gypsum, fiberglass, plastic, concrete, paint; 144 × 100 × 80 inches. Photo: Mariano C. Peuser. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, The Tower of Infinite Problems, 2008. Polymer gypsum, steel, plaster, fiberglass, wood, polystyrene, cardboard, wax, paint; Photo: Tom Powell. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, The Tower of Infinite Problems(detail), 2008. Polymer gypsum, steel, plaster, fiberglass, wood, polystyrene, cardboard, wax, paint; Photo: Tom Powell. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, Self-Melt, 2008. Polymer gypsum, steel, polystyrene, fiberglass, cardboard, wax, paint; 58 × 56 × 75 inches. Photo: Tom Powell. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Self-Melt (opposite side), 2008. Polymer gypsum, steel, polystyrene, fiberglass, cardboard, wax, paint; 58 × 56 × 75 inches. Photo: Tom Powell. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, The Problem of Infinite Towers, 2008. Polymer gypsum, steel, plaster, fiberglass, wood, polystyrene, cardboard, wax, paint; 126 × 157 × 133 inches. Photo: Tom Powell. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, The Problem of Infinite Towers (opposite side), 2008. Polymer gypsum, steel, plaster, fiberglass, wood, polystyrene, cardboard, wax, paint; 126 × 157 × 133 inches. Photo: Tom Powell. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, All the Stops, 2007. Wood, fiberglass, metal, plaster, cardboard, paint; 68 × 56 × 104 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Record of a Mortal Universe, 2007. Steel, plaster, wood, fiberglass, polystyrene, plastic, polymer gypsum, concrete, paint; 128 × 138 × 106 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid. Featured in the film Diana Al-Hadid’s Studio Boom

    • Diana Al-Hadid, Portal to a Black Hole, 2007. Wood, plaster, fiberglass, polystyrene, plastic, cardboard, paint; 120 × 156 × 168 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, A Measure of Ariadne’s Love, 2007. Wood, polymer gypsum, fiberglass, cardboard, aluminum, vinyl, plexiglass, pvc, polystyrene, paint; 84 × 108 × 96 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

    • Diana Al-Hadid, Spun of the Limits of My Lonely Waltz, 2006. Wood, polystyrene, plaster, fiberglass, paint; 72 × 64 × 64 inches. Courtesy the artist and Marianne Boesky Gallery. © Diana Al-Hadid

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    Our Series

    • Art in the Twenty-First Century
    • Extended Play
    • New York Close Up
    • Artist to Artist
    • William Kentridge: Anything Is Possible
    • Specials

    Art21.live

    An always-on video channel featuring programming hand selected by Art21

    Playlists

    Curated by Art21 staff, with guest contributions from artists, educators, and more

    Art21 Library

    Explore over 700 videos from Art21's television and digital series