Diana Al-Hadid was born in 1981 in Aleppo, Syria. She was raised in Cleveland, Ohio, and currently lives and works in New York. Al-Hadid’s large-scale sculptures and wall hangings are the outcome of process-based investigations into materials, including fiberglass, polymer, steel, and plaster.
Exploiting the innate tension between mass and gravity, Al-Hadid is particularly interested in the point at which her works are fixed to the ground, often seeking to create what she describes as “something that seems improbable.” Making drawings since her adolescent years with her grandmother, Al-Hadid creates meticulous renderings driven by a fascination with the depiction of space and perspective. While critics often cite Al-Hadid’s Syrian background as influential to her ornate works, the artist is just as likely to reference to ancient Rome, the Renaissance, or Mannerist painting.
A look at this week’s art news, including a new artist collective formed in opposition to Trump’s most recent travel ban, and events and exhibitions from Detroit to Düsseldorf.
A look at this week’s art news, including a special Time Magazine project honoring women, and events and exhibitions from Paris to Philadelphia.