Her still lifes are reminiscent of paintings by masters such as Cézanne, Picasso, and Matisse; however, like Murray’s entire body of work, her paintings rejuvenate old art forms. Breathing life into domestic subject matter, Murray’s paintings often include images of cups, drawers, utensils, chairs, and tables. These familiar objects are matched with cartoonish fingers and floating eyeballs—macabre images that are as nightmarish as they are goofy. Taken as a whole, Murray’s paintings are abstract compositions rendered in bold colors and multiple layers of paint, but the details of the paintings reveal a fascination with dream states and the psychological underbelly of domestic life.

The recipient of many awards, Murray received the Skowhegan Medal in Painting in 1986, the Larry Aldrich Prize in Contemporary Art in 1993, and a John D. and Catherine T. MacArthur Foundation Award in 1999. Her work is featured in many collections, including Walker Art Center, Minneapolis; the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; the Art Institute of Chicago, and the Museum of Contemporary Art, Los Angeles. Elizabeth Murray lived and worked in New York, and died in August 2007.