Drawing upon art-historical imagery, personal history, and tableaus of contemporary life, Hoseini’s work often depicts homosocial spaces, questioning gender, sexuality and the personal and political effects of displacement. Fragmented—often female—nude bodies overlap and float in abstract, flattened architectural spaces, in suggestive, but open-ended narratives. The artist renders details, like body hair, in pencil, on top of the acrylic paint, blending the two mediums. Her paint often extends on to the sides of her panels and even to the wall beneath the work, engaging real architectural space and asking the viewer to consider their own body and its relationship to its environment, both literally and culturally. Influenced by the artist’s own displacement from her home country, a sense of fear and anxiety, punctuated with strength and humor, pervade her work.