In today’s Art21 Exclusive, Liz Magor describes her Vancouver studio as a place for pleasure as well as productivity while working on a cast sculpture of a paper bag. “If I’m not here,” says the artist, “I want to be here and I want to work.”
Magor maintains a quiet, elemental studio so that she is able to seek out “below the radar” systems embedded in the everyday objects and materials that inspire her. “It’s a way to keep myself on a single focus—on a single track—and there’s something pleasurable about that.” As she reflects on the potential health benefits of maintaining a studio, Magor is shown installing an earlier cast bag sculpture, Mademoiselle Raymonde (2014), at Peep-Hole in Milan, Italy.