Abraham Cruzvillegas assembles sculptures and installations from found objects and disparate materials. Expanding on the intellectual investigation of his own paradoxical aesthetic concepts of autoconstrucción and autodestrucción, he likens his works to self-portraits of contradictory elements and explores the effects of improvisation, transformation, and decay on his materials and work. In his experiments with video, performance, personal and family archives, and academic research, he reveals the deep connection between his identity—born of the realities of his family’s life in Mexico—and his artistic practice.