Four large, rectangular black panels are mounted on a white wall in a gallery space with polished concrete floors and a curved sculpture in the foreground.
Black and white image of Maria Taniguchi sits on a wooden chair in a minimalist room, wearing a dark sweater and pants.

In the Studio

Maria Taniguchi paints chance into pattern.

Detail of a curved sculpture in focus with a blurred, gallery space in the background.
People stand and observe large black panels on the walls of a spacious, white-walled gallery with circular hanging sculptures.
A dimly lit projection on a dark wall shows an image of a potted orchid plant with several buds and leaves visible.
A wall-mounted television displays a close-up of a person using an angle grinder; in the gallery space behind two dark rectangular panels hang on a white wall.
A large, rectangular, dark textured panel mounted vertically on a white gallery wall, flanked by two similar panels partially visible on either side.
A spacious modern art gallery with large circular sculptures, wall-mounted artworks, and a few people observing the exhibits.
Three people stand in front of large, minimalist black rectangular artworks displayed on a white gallery wall.
Black and white image of Maria Taniguchi standing indoors holding onto a long curved pole, casting a shadow on a white wall; industrial stairs are visible in the background.
Black and white image of Maria Taniguchi wearing gloves stands in a room, handling a large rolled object among several wrapped objects and frames leaning against a white wall.
Maria Taniguchi sits at a desk, using a ruler and a triangular scale on a large white surface in a minimalist room.
Black and white image of Maria Taniguchi standing next to a large table in a spacious, well-lit room with various boards leaning against the wall.
Four large, rectangular black panels are mounted on a white wall in a gallery space with polished concrete floors and a curved sculpture in the foreground.

This content is password protected. To view it please enter your password below:

Interview conducted for Art21 over email in 2025 by Murtaza Vali. Original photography for Art21 by Czar Kristoff J. Portin. All other photography courtesy the artist and Museum of Contemporary Art and Design (MCAD) Manila.

Murtaza Vali is a critic, curator, and art historian based in Brooklyn and Sharjah. A recipient of a 2011 Creative Capital | Warhol Foundation Arts Writers Grant for Short-Form Writing, he publishes regularly in art periodicals and exhibition catalogues for non-profit institutions and commercial galleries. Vali is an Adjunct Curator at the Jameel Arts Centre in Dubai, where he organized the widely-acclaimed group exhibitions Crude (2018-19), which explored the relationship between oil and modernity across West Asia and North Africa, and Guest Relations (with Lucas Morin) (2023-24), a sequel exhibition examining hotels and the hospitality industry across the Global South. He is also the curator of Proposals for a Memorial to Partition, an itinerant research and curatorial platform investigating the lingering trauma and legacy of partitions in South Asia and beyond. First appearing in Manual for Treason, a publication commissioned for Sharjah Biennial 10 (2011), subsequent iterations of this project have been presented at the Jameel Arts Centre (2022-23) and Twelve Gates Arts, Philadelphia (2023).