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    Sequencing the Notes

    Arthur Jafa

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    April 30, 2025

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    Artwork Survey: 1990s

    Liz Larner
    See AllClose
    1/7
    • Chained Form on the Diagonal Interrupted by Humans
      1990
      Chain, steel, aluminum

      Courtesy of Tanya Bonakdar Gallery, New York

      © Liz Larner

    • Corridor Orange/Blue, Corridor Yellow/Purple, Corridor Red/Green
      Installation view
      1991
      Metal, wood, car paint, fabric, stainless steel, steel, wood
      Dimensions variable

      Courtesy of Regen Projects, Los Angeles

      © Liz Larner

    • Between Loves Me and Not
      Installation view
      1992
      Twenty-one pieces of mirror; each 6 mm thick
      180 × 195 inches (457.2 × 495.3 cm)

      Courtesy of Regen Projects, Los Angeles

      © Liz Larner

    • Chain Perspective, Reflected
      Installation view
      1992
      Steel chain and mirror
      Dimensions variable

      Courtesy of Regen Projects, Los Angeles

      © Liz Larner

    • Devex Yellow
      1997
      Aluminum, paper, watercolor, maple, paint
      40 × 34 × 27 inches

      Courtesy of Regen Projects, Los Angeles

      © Liz Larner

    • 2 as 3 and Some, Too
      1997-98
      Mulberry paper, steel, and watercolor
      112 × 137 × 95 inches

      Courtesy of Regen Projects, Los Angeles

      © Liz Larner

    • Reticule
      1999
      Cast polyurethane
      74 × 112 × 80 inches

      Courtesy of Regen Projects, Los Angeles

      © Liz Larner

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    Our Series

    • Art in the Twenty-First Century
    • Extended Play
    • New York Close Up
    • Artist to Artist
    • William Kentridge: Anything Is Possible
    • Specials

    Art21.live

    An always-on video channel featuring programming hand selected by Art21

    Playlists

    Curated by Art21 staff, with guest contributions from artists, educators, and more

    Art21 Library

    Explore over 700 videos from Art21's television and digital series