ClimateInstallation view: Max Protetch Gallery, New York.2000Suspended aluminum framework, multi-channel video projections with soundDimensions variableCourtesy the artist and Max Protetch, New York.
Climate, video stills2000Suspended aluminum framework, multi-channel video projections with soundDimensions variable.Courtesy the artist and Max Protetch, New York.
Le Baiser/The KissInstallation view: The Whitney Museum of American Art, New York2000Multi-channel video installation and projection, CD audio recording, and mixed mediaDimensions variablePhoto by Dennis Cowley
Courtesy the artist and Max Protetch, New York.
Le Baiser/The Kiss, video still2000Multi-channel video installation and projection, CD audio recording, and mixed mediaDimensions variableCourtesy the artist and Max Protetch, New York.
Le Baiser/The Kiss, video still2000Multi-channel video installation and projection, CD audio recording, and mixed mediaDimensions variableCourtesy the artist and Max Protetch, New York.
FE (Sad Light Therapy Room)Installation view: Pori Art Museum, Finland.2001Site-specific installation with painted steel, vinyl, fluorescent lamps, speakers and CD audio trackDimensions variableourtesy the artist and Max Protetch, New York.
Search (En Busquedad)Radio telescope installation at the Plaza Monumental Bullfight Ring, Tijuana, Mexico.2001Photo by Alfredo De Stefano.
Courtesy the artist and Max Protetch, New York.
Search (En Busquedad)Radio telescope installation at the Plaza Monumental Bullfight Ring, Tijuana, Mexico.2001Photo by Alfredo De Stefano.Courtesy the artist and Max Protetch, New York.
Nocturne (White Poppies)Installation view: Museo Tamayo de Arte Contemporáneo, Mexico City.2002Live video installation, night vision camera, LCD projector, live audio, Night Vision with wild opium poppies and live audioDimensions variableCourtesy the artist and Max Protetch, New York.
Accelerator/Sisyphus, video still2003Video on plasma screen, 3 minute 56 second loop.Courtesy the artist and Max Protetch, New York.
Zeppelin Hangar2003Color photograph laminated to Plexiglas48 × 72 1/2 inches.Courtesy the artist and Max Protetch, New York.
Storm Hangar, video still2003Video animation on plasma screen, 2 minute loop.Courtesy the artist and Max Protetch, New York.
Oppenheimer, video still200316mm film transferred to digital video, 8 minute loop.Courtesy the artist and Max Protetch, New York.
Cloud Prototype No.1Installation view: Max Protetch Gallery, New York.2003Fiberglass and titanium alloy foil132 × 176 × 96 inchesCourtesy the artist and Max Protetch, New York.
Iceberg (r11i01)Installation view: The Art Institute of Chicago.2004Suspended anodized aluminum tubes; rapid prototyped ABS plastic and nylonApproximately 25 × 20 × 18 feet.Courtesy the artist and Max Protetch, New York.
Untitled (Sounding No. 2)2005Color photograph laminated to Plexiglas40 × 49 7/8 inchesCourtesy the artist and Max Protetch, New York.
Iceberg (r11i01) Beyond the Irish SeaInstallation view: "Beyond the Irish Sea," organized by the Liverpool Biennal as part of Year of the Sea, England.2005Suspended anodized aluminum tubes; rapid prototyped ABS plastic and nylon; shipping container and weathervaneDimensions variableCourtesy the artist and Max Protetch, New York.
Recumbent Iceberg (r11i01)Installation view: Rochester Art Center. Photo by Gene Pittman.2005-06Aluminum tubes, rapid-prototyped ABS plastic and nylon, USB driveApproximately 300 × 240 × 216 inches.Courtesy the artist and Max Protetch, New York.
Random SkyInstallation view: Hyde Park Art Center, Chicago.20067680 x 1024 resolution continuous real-time digital output; single channel, 10-projection screens; weather transmitter with temperature, barometric, wind speed and direction instrumentation; and 7.1 surround sound.Collaboration with Mark Hereld and Rick Gribenas.
Courtesy the artist and Max Protetch, New York.
Random SkyInstallation view: Hyde Park Art Center, Chicago.20067680 x 1024 resolution continuous real-time digital output; single channel, 10-projection screens; weather transmitter with temperature, barometric, wind speed and direction instrumentation; and 7.1 surround sound.Collaboration with Mark Hereld and Rick Gribenas.
Courtesy the artist and Max Protetch, New York.
Bulletproof Umbrella2006Kevlar, graphite, ABS rapid-prototyped polymer36 × 36 × 33 inchesCourtesy the artist and Max Protetch, New York
Black Jack2006Carbon fiber and aluminum138 × 158 × 96 inchesCourtesy the artist and Max Protetch, New York
Always After (The Glass House)2006Super 16mm film transferred to high-definition digital video, 9 minute 41 second continuous loop.Courtesy the artist and Max Protetch, New York.
