Untitled (I Feel Most Colored When I Am Thrown Against a Sharp White Background)1990Oil, oil stick, gesso, and graphite on wood80 × 30 inchesCollection of Eileen Harris-NortonPhoto: Dennis Cowley
© Glenn Ligon
Untitled (I’m Turning into a Specter before Your Very Eyes and I’m Going to Haunt You)1992Oil stick, gesso, and graphite on canvas80 1/8 × 32 1/8 × 2 inchesCollection of the Philadelphia Museum of Art; purchased with the Adele Haas Turner and Beatrice Pastorius Turner Memorial Fund, 1992© Glenn Ligon
Notes on the Margin of the Black Book1991-93Ninety-one offset prints11 1/2 × 11 1/2 inches each (framed); seventy-eight text pages, 5 1/4 × 7 1/4 inches each (framed)Collection of Solomon R. Guggenheim Museum, New York; Gift of the Bohen FoundationPhoto: Ronald Amstutz
© Glenn Ligon
Notes on the Margin of the Black Bookdetail1991-93Ninety-one offset prints11 1/2 × 11 1/2 inches each (framed); seventy-eight text pages, 5 1/4 × 7 1/4 inches each (framed)Photo: Ron Amstutz
© Glenn Ligon
Runawaysdetail1993Suite of 10 lithographs16 × 12 inches eachEdition of 45, 10 AP
Photo: Dennis Cowley
© Glenn Ligon
Runawaysdetail1993Suite of 10 lithographs16 × 12 inches eachEdition of 45, 10 AP
Photo: Dennis Cowley
© Glenn Ligon
Ice Cube’s Eyes1995Silkscreen ink on canvas punching bag51 × 14 × 15 inchesPrivate collectionPhoto: Dennis Cowley
© Glenn Ligon
Self-Portrait1996Silkscreen ink and gesso on canvas48 × 40 inchesCollection of the artistPhoto: Dennis Cowley
© Glenn Ligon
Self-Portrait1996Silkscreen ink and gesso on canvas48 × 40 inchesPhoto: Dennis Cowley
© Glenn Ligon
Hands1996Silkscreen ink and gesso on unstretched canvas82 × 144 inchesCollection of Eileen Harris NortonPhoto: Dennis Cowley
© Glenn Ligon
Condition Reportright panel2000Silkscreen on iris printsDiptych, 32 × 22 3/4 inches each, 34 1/4 × 25 inches each framedEdition of 20
Photo: Dennis Cowley
© Glenn Ligon
