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    Sequencing the Notes

    Arthur Jafa

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    April 30, 2025

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    Artwork Survey: 1980s

    Allan McCollum
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    1/13
    • Surrogates On Location
      1982-84
      Snapshots from television screen
      Variable dimensions

      Reference photos for Plaster Surrogates

      Courtesy the artist

      © Allan McCollum

    • Plaster Surrogates
      Installation view of "From the Permanent Collection" at Marian Goodman Gallery, New York
      1982 - 1983
      Enamel on cast Hydrostone
      Variable dimensions

      Courtesy the artist

      © Allan McCollum

    • Plaster Surrogates
      Installation view of "Gallery view" at Cash/Newhouse Gallery, New York
      1982 - 1984
      Enamel on cast Hydrostone
      Variable dimensions

      Photo by Eric Baum

      Courtesy the artist

      © Allan McCollum

    • Installation view, "Perpetual Photos,"
      1982 - 1990
      Silver gelatin prints
      50 × 45 inches with frame

      Courtesy the artist

      © Allan McCollum

    • Perfect Vehicles
      Installation view at Galerie Yvon Lambert, Paris, 1988
      1985 - 1987
      Acrylic on cast Hydrocal
      19 1/2 × 8 × 8 1/2 inches each

      Courtesy the artist

      © Allan McCollum

    • "Twenty-five Perfect Vehicles with Twenty-five" with "Gallery Lamps"
      Installation view at Diane Brown Gallery, New York, 1987
      1985/87
      Acrylic on cast Hydrocal
      19 1/2 × 8 × 8 1/2 inches each

      Photo by Bill Jacobson Studio

      Courtesy the artist

      © Allan McCollum

    • Over Ten Thousand Individual Works
      1987/88

      To produce the Individual Works, hundreds of small shapes are casually collected from friends’ homes, supermarkets, hardware stores, and sidewalks: bottle caps, jar lids, drawer pulls, salt shakers, flashlights, measuring spoons, cosmetic containers, yogurt cups, earrings, push buttons, candy molds, garden hose connectors, paperweights, shade pulls, Chinese teacups, cat toys, pencil sharpeners, and so on.
      The cast shapes are combined into parts which will each serve as "half" a work. These halves are numbered and organized onto standard trays.
      Rubber molds are produced from the collection of shapes. The replicas of these shapes can be cast in large quantities, thus creating a vocabulary of forms that can be combined to produce new shapes.
      Rubber molds are made from the halves, in order to reproduce the trays many times.
      Photo by Eric Baum

      Courtesy the artist

      © Allan McCollum

    • Over Ten Thousand Individual Works
      1987/88
      Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each unique

      Photo by Fred Scruton

      Courtesy the artist

      © Allan McCollum

    • Over Ten Thousand Individual Works, detail
      1987/88
      Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each unique

      Photo by Fred Scruton

      Courtesy the artist

      © Allan McCollum

    • Over Ten Thousand Individual Works
      Installation view at Stedelijk Van Abbemuseum, Eindhoven, Holland
      1987/88
      Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each unique

      Courtesy the artist

      © Allan McCollum

    • Over Ten Thousand Individual Works
      Installation view at Stedelijk Van Abbemuseum, Eindhoven, Holland
      1987/88
      Enamel on cast Hydrocal, 2 inches in diameter each, with variable lengths, each unique

      Courtesy the artist

      © Allan McCollum

    • Drawings Templates and written protocols
      1988

      Photo by Eric Baum

      Courtesy the artist

      © Allan McCollum

    • Drawings
      Installation view at Centre d’Art Contemporain, Geneva
      1988/92-93
      Graphite pencil on museum board
      Each unique, Dimensions variable

      Courtesy the artist

      © Allan McCollum

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    Art21.live

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